When we create something, whether it’s a one-woman show, a video animation, a poem, a song, whatever—we’re taking what’s inside of us and stepping it out. Now it can be shown or heard. Now it can be experienced, transmitted. Now it can be shared.
Jeff Leisawitz, “How Creativity Heals Us and Why It’s a Gift to the World”, Tiny Buddha. https://tinybuddha.com/blog/how-creativity-heals-us-and-why-its-a-gift-to-the-world/, accessed 4 January 2021.
When it’s shared, parts of us that were once invisible, hidden, obscured, become known.
Perhaps you’ll get your fifteen minutes and become popular with the masses. More likely, it’ll be with your extended gang or just a few close people. And sometimes your creation will only be for yourself. Even if no one else checks out your work, it’ll still help you to see yourself. Become better known to yourself. Understand more deeply who you are.
Shedding light on what is invisible
by
Tags:
Featured Content
Paderewski, the dandy
Overheard in a New York street car:— Average Young Man (to neighbour): “Everything they say about Paderewski is true. He’s a perfect genius. Why, he played fourteen pieces and did not once look at the programme. Yet he played straight ahead and never once forgot what piece was to come next. I tell you the […]
My tempo must be followedRavel was very particular about how his works were performed. Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout. He made a recording of that, too establishing his requirement. Toscanini took it much faster and made an accelerando towards the end. Ravel, who was in the audience, objected. He […]
Imagination plus innovation“You have all the reason in the world to achieve your grandest dreams. Imagination plus innovation equals realization.” Denis Waitley, American author
The Great Collapse (The Boy and the Heron)Composer: Joe Hisaishi Arranger: Greg Smith Title: “The Great Collapse”, from The Boy and the Heron Instrumentation: Piano Solo Available from Sheet Music Direct and Sheet Music Plus.
The potential of an artist“How important is it to catch up with yourself? There are enormous forces lurking in each person, but many people die without having discovered this. Of course it was clear at first glance that Mozart was a genius. But we don’t know whether anybody suspected the great gifts of the young Wagner. Nobody could guarantee […]
Tchaikovsky’s output“The secret of the vital power of Tchaikovsky’s music lies in the fact that there is virtually not a single province of his music–from the gems of Russian chamber music that issued from his pen to his greatest operas or symphonic poems–in which the appeal and effect of the music was less than in any […]
Eighteenth century aestheticsMozart was not at all a purely instinctive, intuitive artist. His remarks to the effect that he “loved to plan works, study, and meditate” and that “he preferred to work slowly and with deliberation” [demonstrate this] … On one level, Mozart’s musical aesthetic is informed by three fundamental and closely related principles that can be […]
Beethoven’s compositional processBeethoven was revising Fidelio when he wrote to Georg Freiedrich Treitschke (who was helping to revise the libretto) (1): Now, of course, everything has to be done at once; and I could composer something new far more quickly than patch up the old with something new, as I am now doing. For my custom when I […]
Origins of the name BeethovenThe Beethoven family tree can be traced back to the mid 13th century. The name appears in chronicles of Flemish cities, in parts of northern France, in Mechlin and Antwerp. Two possible theories of the origins of the name are: – van (the) Hof (Beet-Garden) – grower of Beets – after the Belgium town of Betouwe (“be” […]
Mozart on aestheticsMozart’s musical aesthetics are revealed in a letter to his father about Osmin’s first aria in The Abduction of the Seraglio (Die Entführung aus dem Serail). The Eighteenth century classical ideals of balance and refinement are evident: I have sent you only the beginning and the end of the aria. I think it will prove […]