Beauty captivates the flesh, seeking permission to pass directly to the soul.
S. Weil, G Panichas (ed.) The Simone Weil Reader, New York, McKay, 1977, p. 378.
— Simone Weil
Beauty captivates the flesh
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A new overture – fast
Beethoven’s revised version of Fidelio was due to be premiered on the 23rd May 1814. Beethoven had planned to write a new overture for the performance. He was still yet to complete it before the final rehearsal on the 22nd May. The night before, he was dining out with his physician (Dr. Bertolini). After dinner, he took a menu, […]
Art constructs, not deconstructs“Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction.” Simone Weil, French philosopher & mystic. Simone Weil, The Pre-War Notebook (1933-1939), published in First and Last Notebooks (1970) edited by Richard Rees.
Part of Your World“Any Broadway musical would be lucky to include a single number this good.” — Janet Maslin, in The New York Times on Alan Menken/Howard Ashman’s “Part of Your World,” from The Little Mermaid. Darryn King, “Alan Menken: The Man Who Relaunched Disney’s Fortunes with Songs,” The Sydney Morning Herald, 16 July, 2016. http://www.smh.com.au/good-weekend/alan-menken-the-man-who-relaunched-disneys-fortunes-with-hit-songs-20160714-gq5o6v.html. Accessed 16 July 2016.
When precision isn’t enoughDebussy was well known for wanting precision in performance. However, it was not always quite enough: Some time in 1917 Debussy went to hear the Suite played by a famous pianist. ‘How was it?’ I asked him on his return. ‘Dreadful. He didn’t miss a note.’ ‘But you ought to be satisfied. You who insist […]
Intensity of soundGo to more crosswords
Rachmaninoff the examinerIn 1900, Rachmaninoff worked at the Yekaterininsky Girls’ Institute. One of his students recalled her experience of examination day: The lessens after luncheon seem an eternity – the examination is to begin at 4.I straighten the front bow of my apron, gather my music together, and run to the music room. The students to be […]
Sondheim on expressionMike Brown interviewers musical theatre composer Stephen Sondhiem: When I venture that his songs might suggest that he has a somewhat jaundiced view of love, he momentarily flares into irritation. ‘How can you tell? Every single song I’ve ever written is sung by a character created by somebody else. Some might have a jaundiced view […]
CompositionGREG SMITH Composer, arranger, and pianist Greg Smith is an Australian composer and pianist based in New South Wales. Greg majored in piano and composition at The University of Newcastle, completing a Bachelor of Music with first-class honours with a university medal in 2001. He completed a Master of Creative Arts in piano performance, studying […]
Music and time“There is also in this [nineteenth-century romantic] music an extraordinary sense of control over the passage of time; a moment will be held still as if suspended, and then released with a rush. Einstein has told us that time is relative, flexible and elastic; I have noticed these qualities whenever I have tried to play […]
Sondheim on the language of musicAmerican composer and lyricist Stephen Sondheim has released a book Finishing the Hat: The Collected Lyrics of Stephen Sondheim, with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes. The following is an extract from interview an article on Sondheim by Emma Brockes: Initially a maths student at Williams College in Massachusetts, the young Sondheim took […]
