A Tear Hangs There (Tchaikovsky)Composer: Pytor Il’yich Tchaikovsky (arr. Greg Smith) Title: A Tear Hangs There (Слеза дрожит), Op. 6. No. 4 Instrumentation: Cello and piano Product medium: PDF score and part Sample:
Scores and recordingsRecordings Scores Brass Brass ensemble Trombone Orchestra/Concert band Concert band Piano Piano solo Piano method Strings Cello and piano String ensemble Vocal and choral General Sacred Woodwind Bassoon
Mighty Like a MooseTitle: Mighty Like A Moose (silent film soundtrack) Composer Greg Smith Instrumentation: Piano Product medium: PDF score (34 pages) Background: Written by: Charley Chase & H. M. Walker Starring: Charley Chase, Vivien Oakland, Gale Henry, Charles Clary, Ann Howe, Malcolm Denny Directed by: Leo McCarey Film released: 1926 SAMPLE:
Rachmaninoff’s concert routineReporters described Sergei Rachmaninoff on a concert tour (c. 1940): His punctuality is a legend. If a reporter asks for two minutes of his time, two minutes and no more are given. Consequently he arrives at a concert hall on the dot of 8 and goes on the stage precisely at 8:30. If the concert […]
Ganymed (Schubert)Title: Ganymed (Op. 19, No. 3)Composer: Franz SchubertArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part Sample:
Each day, according to GoetheEvery day one should at least hear one little song, read one good poem, see one fine painting and–if at all possible–speak a few sensible words. — Johann Wolfgang von Goethe Goethe, Johann (translated by Frederick Ungar & Heinz Goethe, Johann W., Frederick Ungar, and Heinz Norden). Goethe’s world view : presented in his reflections […]
White ChristmasAccounts vary on where Irving Berlin wrote “White Christmas”. Berlin himself even recall differing circumstances on when it was penned. Some sources claim at was written at the poolside in Aizona Biltmore Resort and Spa in Phoenix. Other accounts state that is was in Beverly Hills, California. In any case, the narration is set in […]
To be a good playerBach was once complemented on his organ playing: “There is nothing remarkable about it. All one has to do is hit the right notes at the right time, and the instrument plays itself.” Quoted by Johann Friedrich Köhler, Leipzig, after 1776. Hans-Joachim Schulze, ed. Dokumente zum Nachwirken Johann Sebastian Bachs, 1750-1800. Bach-Dokumente, III. 1972, no. […]
A typical recital in England in 1897John E. Borland described in a paper of June 1897: It was customary to commence with a Bach prelude and fugue (usually perverted from one intended for the organ), a Beethoven sonata (choice limited to four or five), some Chopin pieces (there were about twelve orthodox ones to select from), and a Liszt rhapsody. These […]
Give music to those who love it“Music must be given to those who love it. I want to give free concerts; that’s the answer.” -Sviatoslav Richter, pianist Bruno Monsaingeon: Introduction to Sviatoslav Richter — Notebooks and Conversations p. XX. Cited at: Wikipedia