Tag: J. S. Bach

  • Johann Sebastian Bach: Sonata for violin and obbligato keyboard in A major (BWV 1015)

    I. Dolce II. Allegro assai III. Andante un poco IV. Presto Prior to J. S. Bach, the harpsichord in ensemble music was primarily a means of harmonic support. The harpsichordist would read from a figured bass—in other words, the part was rarely written out in full. Bach raised the level importance of the harpsichord to…

  • To be a good player

    Bach was once complemented on his organ playing: “There is nothing remarkable about it.  All one has to do is hit the right notes at the right time, and the instrument plays itself.” Quoted by Johann Friedrich Köhler, Leipzig, after 1776.  Hans-Joachim Schulze, ed. Dokumente zum Nachwirken Johann Sebastian Bachs, 1750-1800. Bach-Dokumente, III. 1972, no.…

  • Many an Orpheus and Arions make up a Bach

    Johann Matthias Gesner was a colleague of Johann Sebastian Bach at St. Thomas’ School, Leipzig. He later worked on a commentary of the Roman author Quintilian (c. 35-100 A. D.). He included a comparison of Bach with the Classical lyre player: All these (outstanding achievements) … you would reckon trivial could you rise from the dead and…

  • In critique, then in praise of Bach

    The dilemma of “old” versus “new” style is evident in the comments of the Johann Adolf Scheibe in reference to his elder fellow musician, Johann Sebastian Bach. In 1737, 29-year old Scheibe write in The Critical Musician: A musical composition must naturally be pleasant and tickle the ear, it must also please the reason ……

  • Remembering J. S. Bach

    Carl Philip Emanuel Bach recalled his father’s (Johann Sebastian) talents as a musician: The exact tuning of his own instruments, and of the whole orchestra, had his greatest attention. No one could tune and quill his instruments to his satisfaction; he did it all himself. The positioning of an orchestra he understood perfectly. He made good use of…

  • Bach’s method of keyboard teaching

    The teaching methods of Johann Sebastion Bach are recounted by his son, Philip Emanuel Bach: The first thing he did was to teach his pupils his special ways of touching the keyboard. For this he made them practice for months nothing but separate exercises for all the fingers of both hands, with constant attention to…