A motorboat experience

Rachmaninoff was a great lover of motorboating and used to go out every day.  He always steered himself.  Often he went out alone.  This hobby of his nearly proved fatal during that stay of ours.  About an hour before dinner he said:

“I think I shall go for a spin on the lake.”

He got up quietly.  He did everything quietly and firmly; hesitation was alien to his nature.  It was a lovely afternoon, one of those rare and bright afternoons in the Swiss mountains in May.  We joined him.  At the last minutes Mr. Ibbs, Rachmaninoff’s agent in England, asked permission to come along also.  He was a corpulent man with a round, ruddy face.

The lake was as still as a fishpond.  Rachmaninoff took the wheel, and we glided smoothly out of the boathouse on the lake.  We were well out of sight of the house when Mr. Ibbs asked if he could try his hand at the steering wheel.  Rachmaninoff handed it over to him and joined us on the back bench.  No sooner had he sat down than something very strange happened.  Evidently Mr. Ibbs had decided to make a sharp turn.  But, instead of turning, the boat began to spin and bend over to one side.  We all slide on the back seat and watched Mr. Ibbs in dead silence.   But when his face had turned as red as a beetroot, Rachmaninoff got up quietly, as if he had merely given Mr. Ibbs time to correct his mistake, reach the wheel with a few big strides, and pushed Mr. Ibbs aside.  The screw was already thumping loudly in the air, and the left rim of the boat was touching the water.  Just as the heavy boat was about to capsize and bury us under it, Rachmaninoff set it right and we glided back to the embankment of the Villa Senar.  Nobody said a word.  Silently we got out of the boat.  On the way up to the house Rachmaninoff touched his left side several times and frowned.  When we were quite near the veranda, he said:

“Don’t say anything to Natasha.  She won’t let me go boating any more.”

Alfred Swann.  Cited in: Bertensson, Sergei & Leyda, Jay (2001) Sergei Rachmaninoff: A LIfetime in Music.  Bloomington: Indiana University Press, p. 320.


Posted

in

by


Featured Content

Salvation by imagination
“An idea is salvation by imagination.” – Frank Lloyd Wright, American architect
Arthur Schopenhauer on music
Now the nature of man consists in this, that his will strives, is satisfied and strives anew, and so on for ever. Indeed, his happiness and well-being consist simply in the quick transition from wish to satisfaction, and from satisfaction to a new wish. For the absence of satisfaction is suffering, the empty longing for […]
Focus
Concentrate all your thoughts upon the work at hand. The sun’s rays do not burn until brought to a focus. – Alexander Graham Bell Orison Swett Marden, (1901) “Bell Telephone Talk”, How They Succeeded. Boston: Lothrop Publishing Company, p. 38. Digitally archived at https://archive.org/details/howtheysucceeded00mardrich/mode/2up, accessed 11 September 2021.
The worker and his object
“In all types of creative work the worker and his object become one, man unites himself with the world in the process of creation.” — Erich Fromm
Glory and Praise For Ever – Dan 3
Title: Glory and praise for ever Text: Dan 3:52-56. R. v.52 Composer: Greg Smith Instrumentation: Cantor, SATB refrain, and organ Product medium: PDF score and parts SAMPLE:
Tin Pan Alley
Tin Pan Alley refers to the concentration of music publishers in New York City, West 28th Street between Fifth and Sixth avenues.  It started around 1885 and lasted till the depression in the 1930s.  It’s title comes from the the sound of all the cheap, tinny pianos playing, being likened to the beating of  tin […]
Hogarth on Chopin
“He accomplishes enormous difficulties, but so quietly, so smoothly and with such constant delicacy and refinement that the listener is not sensible of their real magnitude.  It is the exquisite delicacy, with the liquid mellowness of his tone, and the pearly roundness of his passages of rapid articulation which are the peculiar features of his […]
Sacred
Numbering of psalms. Different translations of the psalms have been used. For consistency, the psalms are labelled by the Hebrew numbering first, followed by the Greek number in parenthesis.
There is no failure
“There is no failure except in no longer trying.” – Elbert Hubbard, American author, artist, and philosopher
The artist’s soul
There is, behind the soul and the whole life of the artist, perhaps a suffering soul … The moment one day will come in which perhaps yourself – if you possess a soul as I wish to believe – you will be able to see through feeling without any explanation. – Dimitri Mitropoulos to Leonard […]