“…at 6 o’clock in the morning I’m already done with my hair; at 7 I’m fully dressed; – then I compose until 9 o’clock; from 9 to 1 o’clock I give lessons. – Then I Eat, unless I’m invited by someone who doesn’t eat lunch until 2 or 3 o’clock as, for instance, today and […]

The following appeared in the Musical Times, August 1890: We read that “a Saxon engineer has invented an automatic machine, the object of which is to save conductors the physical part of their duties. By pressing a button the apparatus, which is provided with an arm holding a conducting-stick, can be made to beat with the […]

“Our greatest glory is, not in never falling, but in rising every time we fall.” — Oliver Goldsmith (1762) The citizen of the world: or, letters from a Chinese philosopher, residing in London, to his friends in the east, Dublin: printed for George and Alex. Ewing, 1762, letter 7, p. 30.  Digitally archived at https://quod.lib.umich.edu/e/ecco/004776950.0001.001/1:9?rgn=div1;view=fulltext, […]

“What gives Sebastian Bach and Mozart a place apart is that these two great expressive composers never sacrificed form to expression. As high as their expression may soar, their musical form remains supreme and all-sufficient.” – Camille Saint-Saëns, from a letter to Camille Bellaigue, 1907 Cited in: Fisk, Josiah (ed.) (1997) Composers On Music: Eight […]

“Arensky is a man of remarkable gifts, but morbidly nervous and lacking in firmness—altogether a strange man.” Pyotr Ilyich Tchaikovsky, in a letter to N. F. von Meck, Frolovskoe, July 2nd (14th), 1890. Cited in Modest Tchiakovsky, The Life & Letters of Peter Ilich Tchaikovsky, np., Outlook Verlag, 2018, p. 477.

Title: Abstraction XVIIComposer: Greg SmithInstrumentation: PianoPerformer: Greg Smith (October 2023)Product medium: MP3 audio Related products: – Abstraction XVIII (score) Sample:

I came to think that every notation is already the transcription of an abstract invention. From the instant the pen takes hold of it, the idea loses its original feature. … The invention (Einfall) becomes a sonata, a concerto: it is already an arrangement of the original. From this first transcription to the second, the […]

The interpreter is really an executant, carrying out the composer’s intentions to the letter. He doesn’t add anything that isn’t already in the work. If he is talented, he allows us to glimpse the truth of the work that is in itself a thing of genius and that is reflected in him. He shouldn’t dominate […]

“Without leaps of imagination, or dreaming, we lose the excitement of all possibilities. Dreaming, after all, is a form of planning.” Gloria Steinem, writer http://www.gloriasteinem.com