A party piece

Irish pianist and composer George Alexander Osburn (1806-93) was a professor at the Royal Academy of Music and a director of the Philharmonic Society. One of his most popular compositions was La Pluie de Perles (The Shower of Pearls).

At a fashionable party, at which he arrived very late, he was invited to play, and he accordingly sat down at the pianoforte and began to play “La Pluie de Perles”. To his great surprise and indignation, the assembled guests burst out laughing; but we was easily appeased when he learned that no fewer than four other pianists had already performed the same composition!

Scholes, Percy (1947) The Mirror of Music. London: Novello and Company, vol. 1, p.306.

Posted

in

by

Tags:


Featured Content

Website navigation
[wm_website_map id=”1″]
Gershwin: the life at the party
Gershwin was often the life of a party, entertaining on the piano.  He said: “The trouble is, when I don’t play at a party I don’t have a good time.” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.47.
Brahms at the tavern
When Brahms was young, he had to play in rowdy taverns to help support his family. Dance music was what the people in the taverns wanted, and Hannes would sometimes relieve the monotony by improvising variations on the popular waltzes of the day.  But what finally made his work endurable was the discovery that while […]
Trombone and piano
James Levine on Tchaikovsky’s Eugene Onegin
Conductor James Levine on Tchaikovsky’s opera Eugene Onegin: Eugene Onegin is very special, an incredibly successful piece; there is nothing quite like it. The character of Tatyana is so extraordinary. Tchaikovsky absorbed certain things from Pushkin’s original poem, and then composed his own opera, which of course angered some other great Russian artists, like Stanislavsky […]
A concise rehearsal
Hans Knappertsbusch (1888-1965) was a German conductor. However, he had a dislike of rehearsals. Karajan recalled: One time he was going over Tchaikovsky’s Fifth with the Vienna Philharmonic. He came to the second movement, with the horn solo, and said, “Let’s start.” He did a few bars, stopped, and said, “See you this evening. You […]
From the heart
“What comes from the heart, goes to the heart.” — Samuel Coleridge Taylor, English poet, critic and philosopher. Coleridge, Samuel (1856) Seven Lectures on Shakespeare and Milton. London: Chapman and Hall, page xlv
Daydream
Title: Daydream Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE: 
The Lord is my Light (Setting II) – Psalm 26 (27)
Title: The Lord is my light (Setting II) Text: Psalm 26 (27): 1, 4, 13-14. R. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
What about me?
Songwriter Johnny Green recalled Gershwin bragging about his achievements after a concert, eventually to stop and say: “That’s enough about me.  Now what did you think about how I played?” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.46.