The composer Karol Szymanowski was born into a landowning class family.  Even, later in life, when short for money, he always retained the mindset of this class: At one time in Vienna, Szymanowski discovered that he did not have enough money to travel to Cracow, so some friends of him lent him the required sum. […]

Title: Impromptu (Op. 97, no.5) Composer: Jean Sibelius (arr. Greg Smith) Instrumentation: Trombone and piano Product medium: PDF score and part

“That’s what I find wonderful about music: there is always a secret left, pieces don’t belong to performers, you rent them!” – Joseph Moog, Pianist W. Boon, “Joseph Moog”, Pianistique, 5 November 2016, https://www.pianistique.com/home/english-interviews/15-interviews/75-joseph-moog, accessed 17 January 2022.

(i) Humoresque I (ii) Song (iii) Little Waltz (iv) Humorous March (v) Impromptu “Never write an unnecessary note. Every note must live”.1 — Sibelius The miniature is the perfect genre to master this philosophy. Sibelius wrote the Opus 97 Bagatelles in 1920, in between his Fifth and Sixth Symphonies. The quirky nature of these Bagatelles […]

The philosopher Nietzsche noted: “Our emotional life is least clear to ourselves.” For this reason, it is imperative to listen to music, because music makes the strings of our inner life resonate. Even if the result is not complete self-realization, at least we can still feel our essence in the “resonance”. Safranski, Rüdiger (2002) Nietzsche: […]

Johann Matthias Gesner was a colleague of Johann Sebastian Bach at St. Thomas’ School, Leipzig. He later worked on a commentary of the Roman author Quintilian (c. 35-100 A. D.). He included a comparison of Bach with the Classical lyre player: All these (outstanding achievements) … you would reckon trivial could you rise from the dead and […]

Pianist Glenn Gould discussed the recording process with Yehudi Menuhin completing the playback of a Bach gigue: Now, Yehudi, you’ve got to admit that you would not be likely to encounter a sound like that in the concert hall… The point is that, if I were to play that piece in a concert hall, as […]

“Arensky is a man of remarkable gifts, but morbidly nervous and lacking in firmness—altogether a strange man.” Pyotr Ilyich Tchaikovsky, in a letter to N. F. von Meck, Frolovskoe, July 2nd (14th), 1890. Cited in Modest Tchiakovsky, The Life & Letters of Peter Ilich Tchaikovsky, np., Outlook Verlag, 2018, p. 477.

For me, one of the ultimate goals of a performance is to make pieces come across as something new, something unexpected and fresh. As soon as you start working with historical instruments, you are jeopardising this aspect. It is very difficult to get away from that; some performers manage it magically, but I don’t see […]

TITLE: Your Ways, O Lord, are Love and Ruth TEXT: Psalm 24 (25):4-9 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano (unison verses) PRODUCT MEDIUM: PDF score and part SAMPLE: