A simple request

Humorists Ilf and Petrov described a concert by Rachmaninoff In New York (November 1935):

The night we went to hear him he appeared tall, bent, and thin, with a long sad face, his hair closely clipped; he sat down at the piano, separated the folds of his old-fashioned back swallowtail, adjusted one of his cuffs with his large hand and turned to the audience.  His expression seemed to say: “Yes, I am an unfortunate exile and obliged to play before you for your contemptible dollars, and for this humiliation i ask very little – silence.

Cited in: Bertensson, Sergei & Leyda, Jay (2001) Sergei Rachmaninoff: A Lifetime in music.  Bloomington: Indianna University Press, p.315.


Posted

in

by


Featured Content

Mack the Knife
Bobby Darin’s 1959 recording of “Mack the Knife” from The Threepenny Opera (Lyrics: Bertolt Brecht; Music: Kurt Weill) not only hit number one on the charts, but was also the first non-R&B pop hit for Atlantic Records and helped establish the label’s future. Source: Creswell, Toby (2005) 1001 Songs: The Great Songs Of All Times. […]
LA no longer the center for film scoring
“…a panel of experts warn that film, TV and videogame scoring continues to leave L.A. because producers are unwilling to meet union demands. “If work continues to dry up at the current rate, they speculated, one or more of the three remaining large scoring stages (Fox, Sony, Warner Bros.) could close “within the next two […]
Mozart: the myth versus the man
We often focus too much on the myth of Mozart, the myth of the prodigy and the myth of the genius – but as he writes in some of his letters, he often feels totally misunderstood and that people don’t give him credit for all the tireless work which he does. In one letter he […]
Nick Cave on the creative process
What makes a great song great is not its close resemblance to a recognizable work. Writing a good song is not mimicry, or replication, or pastiche, it is the opposite. It is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult […]
They who dream
“They who dream by day are cognizant of many things which escape those who dream only by night.” — Edgar Allan Poe
Paper and matches for maintenance
When Spanish cellist Pablo Casals was in his seventies, he retired from the concert stage and lived in Prades, Southern France. Casals began each day by playing from Bach’s Well-Tempered Clavier on the piano (1), then heading out for a walk with his German shepherd, cocking an ear for birdsong and saluting the snow-capped peak […]
Copland on film music
American composer Aaron Copland on the role of film music: I was very fascinated by the medium because a composer can be a real help in the making of a film. The way you can prove that, of course, is to see a film before the public has seen it, in the studio room, and […]
The land knows of its own beauty
What is pertinent is the calmness of that beauty, its sense of restraint. It is as though the land knows of its own beauty, of its own greatness, and feels no need to shout it.” – Kazuo Ishiguro
Wagner’s observations on the English and oratorios
Wagner attended a performance of Messiah at Exeter Hall in London with a chorus of 700 voices. He recorded in his autobiography: It is here that I came to understand the true spirit of English Protestantism. This accounts for the fact that an oratorio attracts the public far more than an opera. A further advantage […]
It’s the page turner’s fault
Several years ago, Mr. Kalichstein hired a young music student who kept reaching across the score to turn pages from the bottom right corner, in the process obscuring several measures of the concerto. “Take it from the top!” the frustrated Mr. Kalichstein finally hissed; reflexively, the page turner flipped the score back to the beginning. […]