Music and health

“Musical instruments are aids to the maintenance of health, and to the restoration of health once lost, according to the difference in the complexions of men. For this art of music was anciently ordained to draw the mind back into healthful habits, and thus doctors are dedicated to its use to cure bodies. Therefore they employ tones for the sick mind, just as they do medicines for the sick body.”

– Ibn Butlan, ninth-century Iraqui physician

Cited in: Inge Kjemtrup, “The power of music therapy”, Pianist, Issue 59, April-May 2011. Warners Group Publications, p.66.

Posted

in

by

Greg

Tags:

, ,

Featured Content

This music is too hard
In 1862 Brahms went to Vienna: Although he been in Vienna only a few weeks, Brahms was already making a name for himself.  After the first performance of  his First Serenade, Hanslick wrote more favorably, calling the work “one of the most charming of modern compositions.” A few months later, the leading Viennese orchestra played […]
Rising after we fall
“Our greatest glory is, not in never falling, but in rising every time we fall.” — Oliver Goldsmith (1762) The citizen of the world: or, letters from a Chinese philosopher, residing in London, to his friends in the east, Dublin: printed for George and Alex. Ewing, 1762, letter 7, p. 30.  Digitally archived at https://quod.lib.umich.edu/e/ecco/004776950.0001.001/1:9?rgn=div1;view=fulltext, […]
Searching for expression
When my students compose, I prefer them to be mistaken if they must make mistakes, but to remain natural and free rather than wishing to appear other than what they are. I remember a day when Stravinsky was dining here. He took his neighbor at the table by the lapels, violently! His neighbor crushed, said […]
Harmann on orchestration
“To orchestrate is like a thumbprint. I can’t understand having someone else do it. It would be like someone putting color to your paintings.” – Bernard Hermann on orchestration. Hall, Roger L., A Guide to Film Music, p. 43.  Cited at Wikipedia.
A man’s money
“Every man’s work, whether it be literature or music or pictures or architecture or anything is always a portrait of himself and the more he tries to conceal himself the more clearly will his character appear in spite of him.” Samuel Butler, The Way of the Flesh  (1903). Forgotten books, p. 60. Cited at Google […]
Liszt on Beethoven
Liszt on Beethoven’s music, in a letter to Wilhelm von Lenz in 1852: To us musicians the work of Beethoven parallels the pillars of smoke and fire which led the Israelites through the desert, a pillar of smoke to lead us by day, and a pillar of fire to light the night, so that we […]
Guiding concepts of artistic creation
“…few of us talk and write about the bigger picture of how our musical and tactical efforts are guided by three distinctly non-musical concepts that don’t get talked and written about often or openly enough: positive vision, abundant thinking, and a sense of self-worth. Thanks to technology, we now live in a world of vast […]
Teddy Bear’s Picnic
American composer John Bratton wrote the music for “Teddy Bear’s Picnic” in 1907. It was first published by M. Witmark & Sons as a piano work titled “The Teddy Bears Picnic. Characteristic Two Step”. Irishman Jimmy Kennedy added the lyrics in 1932. Dance Band leader Henry Hall hosted a radio program on the BBC which […]
Julius Asal on pairing Scriabin with Scarlatti
In 2024, Julius Asal released an album that interwove works of Scriabin and Scarlatti. He stated: …in finding a composer from another era who is totally different in style and aesthetics, then finding a new ‘room’ where they meet, I felt that perhaps they share an inner space through their miniature pieces and their quantity […]
Who needs four strings anyway?
In his work Le Streghe (The Witches), the virtuoso violinist Paganini would use scissors to reduce the number of strings on his violin throughout the piece, until he would be left playing the work on just the G string. Source: Haylock, Julian, “Nicolo Paganini”, Classic FM, December 2009, p. 41.