Title: Lord, I love your commands Text: Psalm 118 (119): 57, 75, 76-77, 127-128, 129-130 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

“Language has created the word loneliness to express the pain of being alone, and the word solitude to express the glory of being alone.” – Paul Johannes Tillich, German American theologian and philosopher

At a concert in London in December 1911, Rachmaninoff was received to great acclaim: perhaps a little too much from the orchestra's view point, who wanted to play the rest of their program: The London Philharmonic Concert given on November 7, provided an object lesson in this study of the relation of applause to encores.  […]

To mark the 400th anniversary of Henry Hudson's voyage up the Hudson river in New York, composer Joseph Bertolozzi sampled sounds of percussively hitting various parts of the bridge.  He now has his sights set on using the Eiffel Tower.  Wakin, Daniel, ""After Music from a Bridge, Why Not A Tower?"", Arts Beat, 8 July […]

“It is cruel, you know, that music should be so beautiful.  It has the beauty of loneliness and of pain: of strength and freedom.  The beauty of disappointment and never-satisfied love.  The cruel beauty of nature, and everlasting beauty of monotony.” Benjamin Britten

Ravel’s infamous Boléro was somewhat created by chance: Shortly before Ravel left for America, the Russian dancer Ida Rubinstein had asked him for a ballet to be based on orchestrations of parts of Albéniz’s Iberia. To this he agreed; with so much on his plate he was not anxious to undertake further commitments for wholly original composition. […]

At the 1905 premiere of La Mer, one of whose movements is called “From Dawn to Midday on the Sea”, Debussy received the usual post-performance congratulations. Satie’s deflating comment was, “Ah, my dear friend, there’s one particular moment between half past ten and a quarter to eleven that I found especially stunning.” Levison, B. (2015). […]

Igor Stravinsky’s Circus Polka: For a Young Elephant to be performed by young elephants (a collaboration with American choreographer George Balanchine. It ended up being performed by older elephants – the main star being Big Modoc (41 years of age). Each elephant wore a join pink tutu. Source: Dixon, Gavin “Igor Stravinsky’s pachyderm polka”, Classic […]

With regard to counterpoint in Chopin’s music, you might be interested in the conversation that Chopin had not long before his death with the painter Eugène Delacroix. Delacroix was one of a handful of quite intimate friends of Chopin’s. In his diary, he mentions how he had picked up Chopin in a carriage, and they […]