In the nineteenth century, the cello was regarded as an important solo instrument.  George Bernard Shaw wrote in 1890 “I am not fond of the violoncello: ordinarily I had as soon hear a bee buzzing in a stone jug.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 71.

“The English may not like music, but they absolutely love the noise it makes.” – Sir Thomas Beecham Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury Press, p. 198.

“The present time has to a great extent liberated itself from symphonic form – from formalism. This started when the concert halls became empty, because that form has nothing to do with human beings. I believe that the present time is progressing.” Jean Sibelius, to Jussi Jalas, 17th July 1946 Cited at: www.sibelius.fi [accessed 31 […]

“Writing and performing an opera, creating any work of art in a world of violence and ease, hunger and obesity, could seem to be an act of private withdrawal. But art isn’t about itself, it’s about how men relate to the world and each other … Asking artists to keep politics out of art is […]

“Real genius is nothing else but the supernatural virtue of humility in the domain of thought.” Simone Wells, French philosopher and mystic. Cited at QuotationsBook

The composer Karol Szymanowski was born into a landowning class family.  Even, later in life, when short for money, he always retained the mindset of this class: At one time in Vienna, Szymanowski discovered that he did not have enough money to travel to Cracow, so some friends of him lent him the required sum. […]

“The purpose of education is to keep a culture from being drowned in senseless repetitions, each of which claims to offer a new insight.” — Harold Rosenberg, American writer, educator, philosopher and art critic. Harold Rosenberg, “On the New Cultural Conservatism”, Partisan Review, 1972, vol. 39, no. 3, p. 444.  Digitally archived at http://archives.bu.edu/collections/partisan-review/search/detail?id=326096, accessed […]

Despite my respect for Saint-Saëns’ age, what he says about Chopin’s pedalling isn’t entirely true. I have very clear memories of what Mme Mauté de Fleurville told me. He (Chopin) recommended practising without pedal and, in performance, not holding it on except in very rare instances. It was the same way of turning the pedal […]

Debussy was well known for wanting precision in performance. However, it was not always quite enough: Some time in 1917 Debussy went to hear the Suite played by a famous pianist. ‘How was it?’ I asked him on his return. ‘Dreadful. He didn’t miss a note.’ ‘But you ought to be satisfied. You who insist […]

“You see behind me a symphony orchestra.  Every single one of the instruments has an entirely different background and history; they come from different places …; they’ve had different developments; they sound different… And so, the next time your soul sings, assailed with some sort of horrid indication that people can’t get along together, please […]