Golliwog’s Cakewalk from Children’s Corner Suite (Debussy)Title: Golliwog’s Cakewalk (from Children’s Corner Suite) Composer: Claude Debussy Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:
Mozart’s piano returns to his home“The piano that Mozart used for the last 10 years of his life and which he used to compose much of his music was returned to his former home in Vienna for a performance of his music. ‘A big, positive shock was how good the instrument is,’ said Russian pianist Alexander Melnikov after the concert […]
Ravel on DebussyIn a lecture in 1928 in Houston, Texas, Ravel described the differences between Debussy and his approach to composition: For Debussy the musician and the man I have had profound admiration, but by nature I am different from him. Although he may not be quite a stranger from my own personal heritage, I would at […]
Silence, expression, and musicFrom pure sensation to the intuition of beauty, from pleasure and pain to love and the mystical ecstasy and death—all the things that are fundamental, all the things that, to the human spirit, are most profoundly significant, can only be experienced, not expressed. The rest is always and everywhere silence. After silence that which comes […]
Maurice Ravel: Menuet sur le dom d’Haydn; Menuet Antique; Pavane pour une infante défunte; SonatineRavel’s style — elegant, and refined — was highly influenced by eighteenth classicism (e.g., Mozart) and the early French keyboard composers (e.g., Couperin). Stravinsky once described Ravel as a “Swiss watchmaker”, due to Ravel’s attention to detail. Ravel wrote: “I never put down a work until I have made absolutely certain that there is nothing […]
Julius Asal on the exploring darker emotionsWhen I was younger I read a lot of Kafka and Büchner: I’ve always been drawn to the darker side of things, and I think that part of the beauty of what we do as artists is to dare other people to explore it too. I wish the listener to invest something. Showing up to […]
A result of education“The highest result of education is tolerance.” – Helen Keller, Optimism (1903)
Gershwin and RavelRavel, touring America in 1928, was approached by George Gershwin for composition lessons. Ravel refused, stating “you would only lose your own spontaneity and end up by writing bad Ravel!” Cited in: James, Burnett (1983) Ravel: His Life and Times. New York: Midas Books, p.120
Ode IITitle: Ode II Composer: Greg Smith Instrumentation: Greg Smith Product medium: PDF score Related products: – Ode II (mp3) SAMPLE:
Menken on the the strength of music“It’s like, why move to Florida if you don’t like the sun?” says Menken when I visit his home in North Salem, an hour out of New York. “Music is a viscerally powerful medium, both on a bodily level and on an emotional level. There are intellectual components about it, but its basic strength comes […]