Benjamin Appl on working with Dietrich Fischer-Dieskau: When people ask me about what I learned from Fischer-Dieskau, that’s what I always come back to: of course I could say a hundred things about technique and his reputation, but what I found most inspiring was how he created everything afresh. Whenever he was teaching he’d prepare […]

Xaver Schydner von Wartensee, in the early days of meeting Beethoven, was curious about a tale he had heard about Beethoven and a spider. Before Schnyder had become acquainted with the immortal Master, he had read the well-known anecdote according to which, when Beethoven was practising the violin in his garret, a spider lowered itself […]

“What gives Sebastian Bach and Mozart a place apart is that these two great expressive composers never sacrificed form to expression. As high as their expression may soar, their musical form remains supreme and all-sufficient.” – Camille Saint-Saëns, from a letter to Camille Bellaigue, 1907 Cited in: Fisk, Josiah (ed.) (1997) Composers On Music: Eight […]

“Spotlights dance down on 216 jewels of lead crystal, set in dazzling diamond patterns into the piano’s black lid, sides, legs, fallboard and bench. Each jewel features several hundred to several thousand intricately cut, ground and polished pieces of crystal — nearly a half-million in all.” Glass artist Jon Kuhn has collobarated with Bosendorfer to […]

What is pertinent is the calmness of that beauty, its sense of restraint. It is as though the land knows of its own beauty, of its own greatness, and feels no need to shout it.” – Kazuo Ishiguro

In mid-nineteenth century England, whistling was a common source of entertainment and as part of the general reception to a piece of music. An article in March 1854 in The Musical Times reported: We were sorry to hear the vile practice of whistling again carried on to some extent at the concert; were the well-meaning […]

The following advice appeared in the British Journal the Musical Times in January 1879: A young student wishes us to tell him what to do under the following circumstances: He has been carefully educated in music, for which he has considerable aptitude and an intense love; he is an efficient pianist, and knows most of […]

Often at the end of the day Gaby [Debussy’s lover] would discover that they had a little money left over and then they would go out to a café, or circus, or to watch a billiards match. Debussy was very fond of the game. At the circus he loved the clowns and was as excited […]

Title: Give thanks to the Lord Text: Psalm 105 (106) Composer: Greg Smith Instrumentation: SATB and piano/organ Product medium: PDF score and parts SAMPLE:    

I. Allegro moderato II. Scherzo: Allegro molto-Meno Mosso-Allegro molto III. Elegia: Adagio IV: Finale: Allegro non troppo Accounts of Arensky are of a juxtaposed nature. On the personal level, he was described by Tchaikovsky as incredibly nervous, and he was never known to have a romantic attachment. He was considered “the most delicate person by […]