Beethoven and the spider

Xaver Schydner von Wartensee, in the early days of meeting Beethoven, was curious about a tale he had heard about Beethoven and a spider.

Before Schnyder had become acquainted with the immortal Master, he had read the well-known anecdote according to which, when Beethoven was practising the violin in his garret, a spider lowered itself on a thread and alighted on him. This interested Schnyder, who was a lover and observer of spiders, and he questioned Beethoven about this anecdote. Beethoven, who knew this anecdote well, laughed and replied: “But I never play the violin.”

Hamburger, Michael (ed.) (1952) Ludwig van Beethoven. Trans. Michael Hamburger. New York: Pantheon, p. 105.

Posted

in

by

Greg

Tags:

,

Featured Content

The framework of a symphony
The framework of a symphony must be so strong that it forces you to follow it regardless of the environment and circumstances: [it is] an “ethical necessity”. Jean Sibelius, to Jussi Jalas, 1 October 1939 Cited at: www.sibelius.fi [accessed 31 Mar 2010].
On Artur Schnable’s playing
Artur Schnabel is a pianist unlike any other. One is conscious in listening to him of a powerful and original mind revealing unsuspected meanings and complications in music as familiar as Brahms’s Intermezzi and Beethoven’s ‘Waldstein’ Sonata. His tone is a rule dry in anything above a piano, but a sudden touch of the pedal […]
Beethoven’s duet
Beethoven was premiering his piano duet, March (op. 45) with duet partner Ferdinand Ries.  When a young count spoke loudly to a lady friend in the room next door, Beethoven jumped up and shouted “I will not play for such swine.” Source: Arganbright, Nancy (2007) “The Piano Duet: A medium for Today”, The American Music […]
What an artist can do for another
The best and only thing that one artist can do for another is to serve as an example and an inspiration. – Steven Pressfield S. Pressfield, The War of Art: Break Through the Blocks and Win Your Inner Creative Battles, New York, Black Irish Entertainment, 2002, p.18
A lock of Beethoven’s hair
Once a devoted admirer, wife of a Vienna pianist, longed for a lock of the composer’s outrageously unkempt hair, and asked a friend to get her one. At his suggestion, Beethoven, who was a practical joker of boorish capabilities, sent her a tuft from the chin of a goat. The trick was discovered, and the […]
Comfort in the score of Saul
In 1862 Brahms left Hamburg for Vienna. Brahms was not at all sure that he would remain long in Vienna; but he must have had some premonition that his Hamburg life was nearly over.  He found it hard to say goodbye to his old father and mother; though this time he could leave secure in […]
The status of classical music in Australia
“I would like to see the emphasis in teaching shift from the performer to the three elements necessary for satisfying music-making: the composer/ improviser, audience and player. I would also like to see the intelligent, inspired exploration of the question of interpretation – in Indian classical music, for instance, it is the opening up of […]
The prerequisites of a genius
“Of the three prerequisites of genius; the first is soul; the second is soul; and the third is soul.” – Edwin Whipple, American essayist and critic Cited at: QuotationsBook
Trombone Shorty on writer’s block
Sometimes, I’ll work through it, and sometimes, you know, you might have to make a couple of test bottles or test wines, and it helps you get closer.  But if I don’t stop, I might get on the machine here and make five tracks, but I know that they’re not really worth anything.  I’m just […]
After music from a bridge, why not a tower?
To mark the 400th anniversary of Henry Hudson's voyage up the Hudson river in New York, composer Joseph Bertolozzi sampled sounds of percussively hitting various parts of the bridge.  He now has his sights set on using the Eiffel Tower.  Wakin, Daniel, ""After Music from a Bridge, Why Not A Tower?"", Arts Beat, 8 July […]