in 1862, Brahms called to see Julius Epstein, a professor at the Vienna Conservatory. “Joachim tells me – ha! – that you have written some really interesting music. Sent me your piano sonata in F minor to look over. Bring any new compositions with you?” he added, noticing Johanne’s portfolio. “I have two piano quartets […]

“I did not want to describe emotions or scenes through music. I wanted to be at a certain distance from the story and the characters, and I wanted to be in between the actual story and what we see on the screen, and the viewers, in terms of writing the music.” — Joe Hisaishi T. […]

“The more anonymous music is, the less likely people will be to feel attached it and to feel the need to support it. But when someone knows who you are, when you’re not just some disembodied vibrations in the air, they’re far more likely to stand behind you.” Isaac Schankler. “Beyond Sound and Science: Musicians, […]

“Tchaikovsky reminded me, in more ways than one, of his countryman Tourgéniew, whom I once met at Madame Viardot’s. He had none of the Northern roughness, was as polished as a Frenchman in his manner, and had something of the Italian in his temperament… For all the belief which he had in himself, he was […]

Ravel, touring America in 1928, was approached by George Gershwin for composition lessons.  Ravel refused, stating “you would only lose your own spontaneity and end up by writing bad Ravel!” Cited in:  James, Burnett (1983) Ravel: His Life and Times.  New York: Midas Books, p.120

Grade 3 Theory

By 1790, Haydn has become dissatisfied with life at Eszterhaza.  On 9th February he wrote: Well! I sit in my wilderness; forsaken, like some poor orphan, almost without human society; melancholy, dwelling on the memory of past glorious days.  Yes; past, alas! And who can tell when these happy hours may return?  Those charming meetings? […]

Title: Abstraction XVII Composer: Greg Smith Performer: Greg Smith (April 2020) Instrumentation: Piano Product medium: MP3 recording Related products:– Abstraction XVII (PDF score)

The Eighteenth Weimar Classicists’ (e.g., Goethe, Shiller) conception of art expanded past the arts themselves, but also embraced all elements of society.  John Armstrong states: The aim of art is to ennoble us, to make us whole and balanced; then we can engage maturely and sensibly  in political processes.  The aim of their “classical art” […]

I. Prélude II. Menuet III. Claire de Lune IV. Passepied The term “bergamasque” refers to the ancient city of Bergame, located forty kilometres east of Milan. The character of its citizens (“rustic and clumsy”) was personified by a series of dances and the Italian comic character Harlequin (1572). This comic character is evident particularly in […]