“Music is the mediator between the spiritual and the sensual life. Although the spirit be not master of that which it creates through music, yet it is blessed in this creation, which, like every creation of art, is mightier than the artist.
Edwards, Tyron (1891) A Dictionary of Thoughts. New York: Cassell Publishing Company, p.367. Digitally archived at https://www.google.com.au/books/edition/A_Dictionary_of_Thoughts/uUi0R_St0qYC?hl=en&gbpv=1&dq=A+Dictionary+of+Thoughts:+Being+a+Cyclopedia+o&pg=PA263&printsec=frontcover, accessed 11 September 2021
— Beethoven
Beethoven on music
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Focus on solutions
Focus 90% of your time on solutions and only 10% of your time on problems. Anthony J. D’Angelo, author Cited at QuotationsBook
Stokowski’s rehearsal processAbraham Chasin performed the premier of his Second Piano Concerto with the Philharmonic Orchestra in March 1933. It was conducted by Leopold Stokowski: At the first one [rehearsal], as I walked to the piano I was surprised to see Stokowski’s assistant, Artur Rodzinski, on the podium; Stokowski was sitting in solitary elegance in one of […]
A lesson with BeethovenOne fearful winter’s day in Vienna, in 1794, the snow standing deep and still falling fast, the traffic almost entirely suspended in the streets, Countess Teresa Brunswick, then a girl of fifteen, was waiting for Beethoven’s arrival, to give her her pianoforte lesson. Weather never stopped him; but when he appeared it was obvious that […]
Pablo Casals’ obligation“I am a very simple man. I am a man first, an artist second. My first obligation is to the welfare of my fellow man. I will endeavour to meet this obligation through music, since it transcends language, politics and national boundaries.” – Pablo Casals, Spanish cellist. Source: pablocasals.com. Accessed 22 Jan 2013.
It’s two-four … It’s three-fourChopin had a free sense of rhythm. In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in. The Mazurka (op. 33 no. 3) was being played. von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]
Super-Hooper-Dyne LizziesTitle: Super-Hooper-Dyne Lizzies (silent film score) Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Related products: – Super-Hooper-Dyne Lizzies (mp3 recording) Details: Film released in 1925 Directed by: Del Lord Written by: Felix Alder, Frank Capra, Al Geibler & Jefferson Moffitt. Starring: Billy Bevan, Andy Clyde, Lillian Knight, John J. Richardson. Synopsis: […]
Arthur Rubinstein’s youthful practice habitsInterviewer: So many children hate to take music lessons. Can you understand this? Rubinstein: Oh, yes, I was one of them. You see, music lessons mean always this horrible dictatorial attitude of the professors. They slap four fingers and aarh; they shout at you: “Can’t you learn that? You must practice scales!” I mean, it […]
Mozart on rubato in adagiosIn 1777, Mozart visited Heir Stein in Ausburg (1). According to Mozart, Stein had stated that no-one has ever played his Piano Forte as well as I have, and, besides, I always keep correct time. They are all wondering about that. They simply can’t believe that you can play a Tempo rubato in an Adagio, […]
PerformersNino Rota on happiness and music“When I’m creating at the piano, I tend to feel happy; but – the eternal dilemma – how can we be happy amid the unhappiness of others? I’d do everything I could to give everyone a moment of happiness. That’s what’s at the heart of my music.” Nino Rota, Italian composer. Cited at: Wikipedia.