My life involves endless hours of repetitive and frustrating practising, lonely hotel rooms, dodgy pianos, aggressively bitchy reviews, isolation, confusing airline reward programmes, physiotherapy, stretches of nervous boredom … punctuated by short moments of extreme pressure …perhaps most crushingly, the realisation that I will never, ever give the perfect recital. It can only ever, with […]

On 1 May 1747, Bach met Friedrich II, King of Prussia, in the Potsdam city palace (where chamber music was usually played from 7-9pm daily).  Johann Forkel recalled: in 1802 The king used to have every evening a private concert, in which he himself generally performed some concertos on the flute.  One evening, just as […]

I. Allegro moderato II. Scherzo: Allegro molto-Meno Mosso-Allegro molto III. Elegia: Adagio IV: Finale: Allegro non troppo Accounts of Arensky are of a juxtaposed nature. On the personal level, he was described by Tchaikovsky as incredibly nervous, and he was never known to have a romantic attachment. He was considered “the most delicate person by […]

Title: Lord, you are good and forgiving (Setting II) Text: Psalm 85 (86): 5-6, 9-10, 15-16 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

“All theory is grey, but the precious tree of life is green.” Maurice Ravel to Hélène Jourdan-Morhange, describing Schoenberg’s intellectualism.  Hélène Jourdan-Morhange, Ravel et nous (Geneva, 1945), p. 104.  Cited in:  Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber., p. 61.

An old thing becomes new if you detach it from what usually surrounds it. — Robert Bresson, French filmmaker J. Butler, Star Texts: Image and Performance in Film and Television, Detroit, Wayne State University Press, 1991, p. 170.

A film has been made of the personal side of Canadian pianist Glenn Gould: During his lifetime Gould was often portrayed less as a real person than a collection of tics — perhaps even more so in the many books and films about him that have been issued since his death. At times he has […]

“Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.” – Daniel Barenboim, pianist and conductor Cited at: QuotationsBook  

Title: Minuet I Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level I (5 finger position, left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)

When he [Beethoven] came to Vienna, he knew nothing at all of the fine art of cooking.  He cared little about good food, his favorite dish being a mess of macaroni with plenty of cheese on top.  He liked, too, the simplest kind of stew, and fish from the Danube.  Ignaz Seyfried reported that Beethoven […]