Music as a metaphor … or not“Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.” – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 11 May 2013.
Work so that you don’t have to workHerr Richter, the pianist, is going on a tour that will take him back to Holland, his native country – I have given him a letter introductionto the Countess Thun at Linz. – He also wishes to visit Salzbourg, so I gave him a 4-line note for you, my dearest father … He plays well […]
WoodwindBassoon
People must hear me“I cannot tell you how much I love to play for people. Would you believe it – sometimes when I sit down to practice and there is no one else in the room, I have to stifle an impulse to ring for the elevator man and offer him money to come in and hear me.” […]
Instrumental stereotypesInsider jokes are not just for White House Correspondents’ Assn. Dinners or ESPN kibitzers or Academy Awards emcees. They also crop up in discussions about symphony orchestra musicians — a society unto itself. There are jibes and even sober-minded studies that characterize personality types according to the instruments they play. Who are the string players? […]
Music which never leaves‘”Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.” Sir Thomas Beecham Speech, c.1950, quoted in The Sunday Times, 16 September 1962
Behind the ScreenTitle: Behind the Screen (silent film soundtrack) Composer: Greg Smith Instrumentation: Piano Product medium: PDF score (45 pages) Background: Written by: Vincent Bryan, Charlie Chaplin, Maverick Terrell Starring: Eric Campbell, Charles Chaplin, Edna Purviance Film released: 1916 Sample:
Arrangements and orchestrationsGreg Smith’s experience as a composer and chamber musician means that he is comfortable scoring in a variety of styles and instrumental forces: – chamber (e.g., piano, cello and piano, string quartet) – choral – orchestra – wind orchestra Greg can arrange in a variety of styles, from classical to jazz. Contact Greg Smith ARRANGMENTS, […]
Britten on composing“Composing is like driving down a foggy road toward a house. Slowly you see more details of the house – the colour of the slates and bricks, the shape of the windows. The notes are the bricks and mortar of the house.” – Benjamin Britten. Cited in: Jarski, Rosemarie (2005) Great British Wit. London: Ebury […]
New art and the old formulaeAn art gathers new material usually by an original rejection of old formulae, a gesture of negation. At the beginning, this gesture is conscious, defiant, it lacks any other reason for existence than the very healthy one that dogma is death. In the turmoil of growth and expansion, this negation and denial loses its identity […]