Franz Joseph Haydn: Piano Trio (Hob. XV, No. 25) “Gypsy Trio”

I. Andante
II. Poco Adagio
III Rondo all’Ongarese

Chamber music in the eighteenth century was written for and performed for the aristocracy. Music was an aesthetic pleasure: thus an emphasis was placed on musical balance and clarity in the context of an expressive style: evident particularly in the first two movements of this trio, which are, curiously, both slow. The clarity in style is also representative of the composer-keyboardist-conductor model of musical patronage. The themes of this trio are presented with violin and piano unison (or passed between the piano and violin) while the cello acts as continuo, adding dimension to the texture.

The Gypsy element of this trio is found in the last movement. Haydn was court composer for Prince Esterhazy (in what is now Hungary). There are two folk melodies quoted. The main theme is a Verbunko, which was a dance use to encourage the peasants to sign up to the army. The Minore section is also a Hungarian folk melody.

© Greg Smith, 2009

Posted

in

by

Greg

Tags:

, , ,

Featured Content

A good performance
A good performance is one that moves me. But it is not only the passion and emotion expressed in a performance that move me, it is also allowing the clarity of the structure, as well as the different characters, to shine through, a well-judged balance, a sense of architecture of the whole piece and, at […]
‘Real’ instruments in popular music
“We’re seeing a big evolution of production, of recording techniques, and of the actual sounds. Everything’s getting sampled and synthesized…. When we do have an acoustic instrument like a saxophone, it tends to get processed to where [it’s] almost unrecognizable.” Jeff Harrington, saxophonist. Cited in, Kelsey McKinney, “Where Did All the Saxophones Go?”,        https://getpocket.com/explore/item/where-did-all-the-saxophones-go?utm_source=pocket-app&utm_medium=share, accessed 29 […]
Cello and piano
The role of the arts in society
The Eighteenth Weimar Classicists’ (e.g., Goethe, Shiller) conception of art expanded past the arts themselves, but also embraced all elements of society.  John Armstrong states: The aim of art is to ennoble us, to make us whole and balanced; then we can engage maturely and sensibly  in political processes.  The aim of their “classical art” […]
Bassoon and piano
The code of honor in great art
“In higher art, only that is worth being presented which has never before been presented.  There is no great work of art which does not convey a new message to humanity; there is no great artist who fails in this respect.  This is the code of honor of all the great art, and consequently in […]
Misprints remain
“Some misprints remain on my scores, because for some reason I have always been in a rush to get the proofs to the publisher by the deadline. In the orchestral parts everything has usually been corrected.” Jean Sibelius, to Jussi Jalas, 27th July 1942 Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Handel on Purcell
An account by R. L. Stevens (1775): When Handel was blind, and attending a performance of the Oratorio Jephtha, Mr [William] Savage, my master, who sat next to him said, “This movement, sir, reminds of me of some of old Purcell’s music.” “G got te teffel”, said Handel, “if Purcell had lived, he would have […]
Lullaby for Berkeley
Title: Lullaby for Berkeley Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – Level 1 (5 finger hand position, left and right hands) Product medium: PDF score & MP3 accompaniment track SAMPLES: (Audio sample of accompaniment track only)
Beyond the comfort zone
I believe one shouldn’t be too comfortable when listening to really great music.  To appreciate good music, one must be mentally alert, and emotionally receptive.  You can’t be that when you are sitting at home with your feet on a chair. No, listening to  music is more strenuous than that.  Music is like the poetry;  […]