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Tchaikovsky and the village children
Tchaikovsky lived in a village Maidanovo. When Tchaikovsky would go for works, he would also be hailed by groups of village children. As Sofya Nikolayevna recalled: “They had discovered the times he went out and, as he always liked to gave them something, sweets or a coin, they used to lie in wait for him.” […]
Start from scratch every timeBenjamin Appl on working with Dietrich Fischer-Dieskau: When people ask me about what I learned from Fischer-Dieskau, that’s what I always come back to: of course I could say a hundred things about technique and his reputation, but what I found most inspiring was how he created everything afresh. Whenever he was teaching he’d prepare […]
There’s a crack in everythingThere is a crack, a crack in everythingThat’s how the light gets in. Leonard Cohen, “Anthem Related: “There is a crack in everything, that’s how the light gets in”: The story of Leonard Cohen’s “Anthem”
Context and beauty“When you’re young, you can be taken with the impulse of the moment and the beauty of a phrase, but the older you get, the more you see that the phrase is only beautiful because of the context within which it works. The melody is only the outward manifestation of something quite deep inside and […]
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Beethoven conductingOn 5 April 1803 Beethoven conducted an concert of his own works: the First and Second Symphonies; The Third Piano Concerto, and his oratorio Christ on the Mount of Olives. It is likely that the he directed the piano concerto (which he played) from the piano. Ignaz von Seyfried gave an account of Beethoven’s conducting […]
Karajan and directionSeiji Ozawa recalls Karajan’s overarching concept of music: I really shouldn’t start comparing Karajan and Bernstein. I’m thinking of the word “direction” – the direction of the music. In Maestro Karajan’s case, he had it from birth – the ability to make long phrases. It was something he taught us, the ones who studied with […]
The Blue Danube (Strauss)Title: The Blue Danube (op. 314) Composer: Johann Strauss Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part (32 pages) Sample:
Du bist die Ruh (You are my Rest) (Schubert)Title: Du bist die Ruh (You are my Rest) (Op. 59, No. 3) Composer: Franz Schubert Arranger: Greg Smith Instrumentation: Trombone and piano Product medium: PDF score and part Sample:
All the Ends of the Earth – Psalm 97 (98)Title: All the ends of the earth Text: Psalm 97 (98):1-6. R. v.3 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part SAMPLE:
