Freedom for music

“In order for music to free itself, it will have to pass over to the other side – there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.”

Giles Deleuze, French philosopher. Essays Critical and Clinical, p. 104.

 

Posted

in

by

Greg

Tags:

Featured Content

Brahms on Schubert
My love for Schubert is a very serious one, probably because it is no fleeting fancy. Where is genius like his, which soars heavenwards so boldly and surely, where we see the few supreme ones enthroned. He is to me like a son of the gods, playing with Jupiter’s thunder, and also occasionally handling it […]
Piano Method
The delicate nature of Chopin’s pianism
Chopin gave a recital in the Gentlemen”s Concert Hall, Manchester, on 28 August 1848. The audience of 1,200 people was the largest Chopin had ever performed to, but Chopin’s delicate playing was not really suited to such a large venue. Conscious of this fact, Chopin requested that another pianist, George Osborne, who was also performing […]
Love Came Down At Christmas (piano)
Title: Love came down at Christmas Text: Christina Rossetti Composer: Greg Smith Instrumentation: Piano solo Product medium: PDF score     Related products:     – Love came down at Christmas – SATB and piano     – Love came down at Christmas – Piano solo (MP3) hase_link id=”1673″ text=”Purchase” style=”button” color=”blue”] Samples:
I dream …
“I dream, therefore I exist.” —August Stringberg, A Madman’s Defence (Le plaidoyer d’un fou)
The true success of the journey
To travel hopefully is a better thing than to arrive, and the true success is to labour. — Robert Louis Stevenson, Virginibus Puerisque, 1881 Stevenson, R. L. (1895). Works. United States: P. F. Collier, Vol. 2, p. 119
The background to Bolero
Ravel’s infamous Boléro was somewhat created by chance: Shortly before Ravel left for America, the Russian dancer Ida Rubinstein had asked him for a ballet to be based on orchestrations of parts of Albéniz’s Iberia. To this he agreed; with so much on his plate he was not anxious to undertake further commitments for wholly original composition. […]
Beethoven on music
“Music is the mediator between the spiritual and the sensual life.  Although the spirit be not master of that which it creates through music, yet it is blessed in this creation, which, like every creation of art, is mightier than the artist. — Beethoven Edwards, Tyron (1891) A Dictionary of Thoughts.  New York: Cassell Publishing […]
Murray Perahia
“It’s a very reactionary viewpoint and I’m slightly ashamed, but I find it very difficult to access contemporary music. I am not prejudiced, but my work in tonal music leads me to believe nothing can be organic if it doesn’t have a [sense of] “home.”  This idea of belonging, or home, can’t be an intellectual […]
In critique, then in praise of Bach
The dilemma of “old” versus “new” style is evident in the comments of the Johann Adolf Scheibe in reference to his elder fellow musician, Johann Sebastian Bach. In 1737, 29-year old Scheibe write in The Critical Musician: A musical composition must naturally be pleasant and tickle the ear, it must also please the reason … […]