A carriage of flowers for Tchaikovsky

Tchaikovsky’s favourite flower was lilies of the valley.  The local musical society at Tiflis was extremely enthusiastic to have the presence of Tchaikovsky at a gala concert of his works at the Opera House:

Ippolitov-Ivanov had thought of everything, even finding out by devious means what his favourite flower was.  This flower did not grow in the Tiflis area, so Ippolitov-Ivanov sent to Kutasi, some three hundred miles away.  He ordered an entire railway carriage to be filled with them.

When the composer entered the theatre, he was simply staggered by the look of it.

Spring that year [said Ippolitov-Ivanov] had been marvellous and the wealth of flowers was almost unbelievable – in particular, of Pyotr Ilyich’s beloved lilies of the valley.  So the theatre was decorated with greenery and an assortment of flowers and the box set apart for our dear guest and his relations was filled with lillies of the valley – Tchaikovsky was seated in an absolute bower of them.

Sharp at eight o’clock [Ippolitov-Ivanov continues], Pyotr Illyich, his brother Anatoly Ilyich and his wife and daughter entered the theatre in which the whole of musical Tiflis had been waiting in impatient expectation for the best part of an hour.  Everybody rose to their feet, and choir, chorus, soloists and audience burst out with “Glory to our dear and honoured guest” which we took, with suitably altered words, from the first act of Mazepa, “Praise to our great genius!”

Cited in: Hanson, Lawrence and Elisabeth (1965) Tchaikovsky: A New Study of the Man and His Music. London: Cassell & Company, p.246-247.


Posted

in

by


Featured Content

The James Bond theme
John Barry did not get the chance to see any footage and he had not read any of Ian Fleming’s books when he was called in to work on the music for the first James Bond film, Dr No (1962), for which Monty Norman had originally been commissioned to write the score.  “I was just […]
George Sand on Chopin’s compositional process
“His creation was spontaneous and miraculous. He found it without seeking it, without forseeing it. It came on his piano suddenly, complete, sublime, or it sang in his head during a walk when he was impatient to play it to himself. But then he began the most heart-rending labor I ever saw. It was a […]
Obedience and liberty in creativity
A great work, I believe, is made out of a combination of obedience and liberty. Such a work satisfied the mind, together with that curious thing which is artistic emotion. Stravinsky said, “If I were permitted everything, I would be lost in the abyss of liberty.” On the one hand he knew the limits, on […]
It’s Oh So Quiet
In 1995, Bjork released a big band jazz cover of Betty Hutton’s 1948 hit “Blow a Fuse”. This was a cover of an Austrian song “Und jetzt ist es still” by Hans Lang and Erich Meder. Bjork said of the song: Isn’t that the best song you’ve heard for five years? In a way it […]
A monkey on his shoulder
Cellist Walter Joachim spend some time in Calcutta, India. He recalled: “I bought a monkey with which to amuse myself. We played. He was sitting on my shoulders for hours when I was practising.” Joachim practised at least one or two movements of a Bach suite. “I started my day usually with Bach or a […]
Wie melodien zieht es mir (Brahms)
Composer: Johannes Brahms Text: Klaus Groth Title: Wie melodien zieht es mir (Like melodies it pulls me), op. 105, no. 1 Instrumentation: Cello and piano Product medium: PDF score and part Sample:  
Parry on choral music
Hubert Parry, who taught Vaughan Williams composition, instructed the composer to “write choral music as befits and Englishman and a democrat.” Vaughan Williams recalled that “this attitude to art led to an almost moral hated of mere luscious sound…” Vaughan Williams, cited in Holmes, Paul (1997) Vaughan Williams. London: Omnibus Press, p.17.
The addictive nature of song writing
“You know it’s sort of addictive because there is all this gold just floating in the ether around you. The process of song writing is this process of just discovering and putting together these beautiful animals that live on their own and run around the world and make people feel good or go on trips […]
Silence, expression, and music
From pure sensation to the intuition of beauty, from pleasure and pain to love and the mystical ecstasy and death—all the things that are fundamental, all the things that, to the human spirit, are most profoundly significant, can only be experienced, not expressed. The rest is always and everywhere silence. After silence that which comes […]
You Have Been Our Refuge – Psalm 89 (90)
TITLE: You Have Been Our Refuge (In Every Age, O Lord, You Have Been Our Refuge) TEXT: Psalm 89 (90):3-6, 12-14, 17 INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part SAMPLE: