What drives the wise“There is hardly any treatise which could be too learned for me. I have not the slightest pretension to what is properly called erudition. Yet from my childhood I have striven to understand what the better and wiser people of every age were driving at in their works. Shame on an artist who does not […]
Abstraction XVIIITitle: Abstraction XVIIComposer: Greg SmithInstrumentation: PianoPerformer: Greg Smith (October 2023)Product medium: MP3 audio Related products: – Abstraction XVIII (score) Sample:
Julius Asal on interpretationOn the one hand, I believe that to connect tradition and innovation is the most important thing to me personally. On the other hand, to explore the score and be close to what the composer wanted is essential. There is a way to find your own language within the details that the composers left. Julius […]
October from The Seasons (Tchaikovsky)Title: “October” from The Seasons, op. 37 bis Composer: Pytor Illich Tchaikovsky Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:
Shaw on the celloIn the nineteenth century, the cello was regarded as an important solo instrument. George Bernard Shaw wrote in 1890 “I am not fond of the violoncello: ordinarily I had as soon hear a bee buzzing in a stone jug.” Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen and Unwin, p. 71.
Tchaikovsky’s output“The secret of the vital power of Tchaikovsky’s music lies in the fact that there is virtually not a single province of his music–from the gems of Russian chamber music that issued from his pen to his greatest operas or symphonic poems–in which the appeal and effect of the music was less than in any […]
The best music“The best music is the music that persuades us that there is no other music in the world.” – Alex Ross, music critic Cited in: Ross, Alex, “From Classical to punk”, Limelight, January 2011, p.29.
The key of E-flat“[The key of E-flat] was reserved mostly for moments of sublime seriousness, appropriate for dying thoughts, or of love unto death, whether human or divine.” – Heartz, Daniel (2003) Music in European Capitols. New York: Norton. Cited in: Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen and Unwin, p. 144.