Why we read

We read books to find out who we are. What other people, real or imaginary, do and think and feel—or have done and thought and felt; or might do and think and feel—is an essential guide to our understanding of what we ourselves are and may become. A person who had never known another human being could not be introspective any more than a terrier can, or a horse; he might (improbably) keep himself alive, but he could not know anything about himself, no matter how long he lived with himself. And a person who had never listened to nor read a tale or myth or parable or story, would remain ignorant of his own emotional and spiritual heights and depths, would not know quite fully what it is to be human. For the story — from Rumpelstilstkin to War and Peace — is one of the basic tools invented by the mind of man, for the purpose of gaining understanding. There have been great societies that did not use the wheel, but there have been no societies that did not tell stories.

Ursula K. Le Guin, “Prophets and Mirrors: Science Fiction as a Way of Seeing,” The Living LIght 7:3 (Fall 1970)


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Work so that you don’t have to work
Herr Richter, the pianist, is going on a tour that will take him back to Holland, his native country – I have given him a letter introductionto the Countess Thun at Linz. – He also wishes to visit Salzbourg, so I gave him a 4-line note for you, my dearest father … He plays well […]
Abstraction VIII
Title: Abstraction VIII Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
Happiness
“Very little indeed is necessary for living a happy life” — Marcus Aurelius, Roman Emperor from 161-180 Marcus Aurelius (translated by George Long) The Thoughts of the Emperor Marcus Aurelius, Book VII, 67.  Digitally archived at: https://en.wikisource.org/wiki/The_Thoughts_of_the_Emperor_Marcus_Aurelius_Antoninus/Book_VII, accessed 10 September 2021. 
Anecdotes
QUICK LINKS Composers Instruments Interesting facts Performers and performances Personalities of the musicians See also: QUOTES COMPOSERS Quick links INTERESTING FACTS Quick links INSTRUMENTS Quick links PERFORMERS AND PERFORMANCES Quick links PERSONALITIES OF THE MUSICIANS Quick links
Music and identity
“The more anonymous music is, the less likely people will be to feel attached it and to feel the need to support it. But when someone knows who you are, when you’re not just some disembodied vibrations in the air, they’re far more likely to stand behind you.” Isaac Schankler. “Beyond Sound and Science: Musicians, […]
Forgive (Tchaikovsky)
Title: Forgive ( Прости!) (opus 60, no. 11] Composer: Pytor Il'yich Tchaikovsky (arr. Greg Smith) Instrumentation: Cello and piano Product medium: PDF score and part Sample:
A young Josef Hoffmann
The Polish pianist, Josef Hoffmann may have been a child prodigy. Upon hearing him play, Anton Rubinstein, who typically disliked child prodigies said told his manager, “This prodigy I believe in. Hear him!” (1) Yet in 1908, The Daily Graphic looked back on having seen the young pianist: When Joseph Hoffmann was an infant prodigy, […]
Appreciating beauty
Music exists only in a passing of time, racing past us like the mid-nineenth-century trains Ruskin so hated. It is utterly non-fixed, and to focus on one moment is to destroy the whole. It is a forest that we have to pass through, not a single tree that we can contemplate or capture. But, if […]
Conditions stipulated for the Imperial Court Chapel
The Imperial Chapel Choir was founded in Vienna in 1498 and performed exclusively for the court.  Composers that worked with the choir included Musicians like Heinrich Isaac, Paul Hofhaimer, Heinrich Ignaz Franz Biber, Johann Joseph Fux, Wolfgang Amadeus Mozart, Antonio Caldara, Antonio Salieri and Anton Bruckner.  Schubert was a chorister.  After the dissolution of the […]
Creativity between now and Tuesday
“Creativity is a highfalutin word for the work I have to do between now and Tuesday.” – Ray Kroc, founder of McDonald’s corporation