“If all would play first violin, we could not obtain an orchestra. Therefore esteem every musician in his place.” — Robert Schumann Robert Schumann (translated by Henry Hugo Pierson), Advice to Young Musicains [Musikalische Haus- und Lebens-Regeln]. New York: J. Schuberth & Co. https://www.gutenberg.org/files/28219/28219-h/28219-h.htm, accessed 29 August 2021.

“I have yet to find the man, however exalted his station, who did not do better work and put forth greater effort under a spirit of approval than under a spirit of criticism.” – Charles M. Schwab, American businessman Cited at Quotd.

What makes a great song great is not its close resemblance to a recognizable work. Writing a good song is not mimicry, or replication, or pastiche, it is the opposite. It is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult […]

For me, one of the ultimate goals of a performance is to make pieces come across as something new, something unexpected and fresh. As soon as you start working with historical instruments, you are jeopardising this aspect. It is very difficult to get away from that; some performers manage it magically, but I don’t see […]

Several years ago, Mr. Kalichstein hired a young music student who kept reaching across the score to turn pages from the bottom right corner, in the process obscuring several measures of the concerto. “Take it from the top!” the frustrated Mr. Kalichstein finally hissed; reflexively, the page turner flipped the score back to the beginning. […]

In Anglican England in the nineteenth and early twentieth centuries, there was considerable opposition to the Roman Catholic Gregorian chant.  The Parish Choir or Church Music Book, published by the Society for the Promoting of Church Music (October 1847), applauds those who “deal heavy blows at Romanism and every other form of dissent.” (1)  Part […]

Irish pianist and composer George Alexander Osburn (1806-93) was a professor at the Royal Academy of Music and a director of the Philharmonic Society. One of his most popular compositions was La Pluie de Perles (The Shower of Pearls). At a fashionable party, at which he arrived very late, he was invited to play, and […]

Title: Tales from the Carreck of Fergus McGee (I. Lament; II: Gigue) Composer: Greg Smith Instrumentation: Piano Product medium: PDF score

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In a lecture in 1928 in Houston, Texas, Ravel described the differences between Debussy and his approach to composition: For Debussy the musician and the man I have had profound admiration, but by nature I am different from him. Although he may not be quite a stranger from my own personal heritage, I would at […]