“After doing nothing, I know no more delightful occupation of eating, eat properly, I mean. The appetite is for the stomach what love is for the heart. The stomach is the choirmaster who governs and operates a large orchestra of the passions. An empty stomach is the bassoon or flute in which discontent grumbles or […]

Brass Brass ensemble Trombone Piano Piano solo Piano method Orchestra and concert band Concert band Strings Cello and piano String ensemble Vocal and choral General Sacred Woodwind Bassoon

Dearest Stroll! good old troll! you sit in your hole drunk as a Mole! – But you’re touched in your soul by music’s sweet flow. – Mozart, in a letter to Anton Stoll Cited in: Spaethling, Robert (2000) Mozart’s Letters; Mozart’s Life.  London: Faber and Faber, p.438.

“Knowledge is not a passion from without the mind, but an active exertion of the inward strength, vigor and power of the mind, displaying itself from within.” – Ralph Cudworth, Treatise Concerning Eternal and Immutable Morality (1731)

The conductor Stokowski (who was the conductor of Disney’s Fantasia) was a pioneer of orchestral recording.  This was not without its problems: Stokowski was moving more and more toward what is recognized as his most significant achievement – the broadening of popular interest in serious music.  He developed a firm conviction that radio, recordings, and […]

QUICK LINKS: Audience reception Composers General Performance practice Performers Style Symbolism Teaching methods The creative process The experience of art The purpose of the arts Work ethic Works See also: ANECDOTES AUDIENCE RECEPTION Quick links COMPOSERS Quick links GENERAL Quick links PERFORMANCE PRACTICE Quick links PERFORMERS Quick links STYLE Quick links SYMBOLISM Quick links TEACHING […]

Music is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection. Hector Berlioz, A Travers Chants. Cited in I. Lipsius, Thoughts of Great Musicians, London, Augener, […]

“There is also in this [nineteenth-century romantic] music an extraordinary sense of control over the passage of time; a moment will be held still as if suspended, and then released with a rush. Einstein has told us that time is relative, flexible and elastic; I have noticed these qualities whenever I have tried to play […]

Title: A Swan (Ein Schwan), op. 25, no.2 Composer: Edvard Grieg Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part Sample:

Rachmaninoff sent fellow composer/pianist Medtner his Corelli Variations.  He wrote: I played them here about fifteen times, but of these fifteen performances, only one was good.  The others were sloppy.  I can't play my own compositions!  And it's so boring! Not once have I played these all in continuity.  I was guided by the coughing […]