Musicians’ response to violence

This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.

 — Leonard Bernstein, 25 November 1963

Christopher Buchenholz, “An Artist’s Response to Violence”, Leonard Bernard Office, https://leonardbernstein.com/about/humanitarian/an-artists-response-to-violence. Accessed 18 March 2022.

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Articles, papers, program notes
ARTICLES & PAPERS: PROGRAM NOTES:
Liberation from formalism
“The present time has to a great extent liberated itself from symphonic form – from formalism. This started when the concert halls became empty, because that form has nothing to do with human beings. I believe that the present time is progressing.” Jean Sibelius, to Jussi Jalas, 17th July 1946 Cited at: www.sibelius.fi [accessed 31 […]
The King’s Entrance
Title: The King’s Entrance Composer: Greg Smith Instrumentation: Piano duet Level: Piano I –  1 (five finger position) Product medium: PDF score and MP3 accompaniment track (Audio sample of accompaniment track only)
Air IV
Title: Air IV Composer: Greg Smith Instrumentation: Piano Duet Level (Piano I): 1.2 – five finger position extended to 6/4 through to octave (left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)
Form your own interpretation
I have often made the point in masterclasses that students should not listen to lots of recordings of a piece they are learning. I’m always a little horrified when I hear a student say, “My teacher told me to learn the Chopin G minor Ballade, so I went to the library and took out eight […]
The political function of music
“There can be no music without an idealogy. The old composers, whether they knew it or not, were upholding a political theory. Most of them, of course, were bolstering the rule of the upper classes. Only Beethoven was a forerunner of the revolutionary movement.” – Dmitry Shostakovich Cited in: Nettl, Paul (1969) The Book of […]
Brahm’s first meeting with Schumann
He [Brahms] sat down and began the sonata which had so impressed Joachim [a violinist].  As he played, a swift change transformed [Robert] Schumann’s impassive features.  The Master listened with growing interest, then suddenly sprang to his feet. “Please”, he cried.  “Will you wait just a moment? Clara -” He hurried to the door and […]
Stokowski’s orders
A letter from the conductor Leopold Stokowski to Sylvan Levin gives an insight into his sense of humour: Caro Maestro Illustre, Now that you have not a thing to do!!!!! Do you think you would have time to do me a favor and time the whole of Parsifal without cuts?  I suggest you do this […]
Gymnopedies No. 1 (Satie)
Title: Gymnopedies No. 1 Composer: Eric Satie Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:    
Waste not, want not
While attending school in Lüneberg, J. S. Bach used to travel to Hamburg (50km away) to hear the organist of the Catharinekirche: J. A. Reincken.  Marpurg describes how Bach, returning almost penniless to Lüneberg, once rested outside an inn; how someone threw two herring heads out on the rubbish heap; how Bach – a Thuringian, to […]