How to win over an orchestra

Haydn was in London in 1791 when he performed in a concert led by Johann Salomon (a violinist/composer).  

Salomon played the first violin and led the orchestra, and Haydn sat at the harpsichord, keeping the band together by an occasional chord or two, as the practice then was. Great composers have not always been great conductors, but Haydn had a winning way with his band, and generally succeeded in getting what he wanted. An interesting anecdote is told by Dies of his first experience with the Salomon Orchestra. The symphony began with three single notes, which the orchestra played much too loudly. Haydn called for less tone a second and a third time, and still was dissatisfied. He was growing impatient. At this point he overheard a German player whisper to a neighbour in his own language: “If the first three notes don’t please him, how shall we get through all the rest?” Thereupon, calling for the loan of a violin, he illustrated his meaning to such purpose that the band answered to his requirements in the first attempt. Haydn was naturally at a great disadvantage with an English orchestra by reason of his ignorance of the language. It may be true, as he said, that the language of music “is understood all over the world,” but one cannot talk to an orchestra in crotchets and semibreves.

Source: Cuthbert Hadden, J. (1902) Haydn.  London: J. M. Dent, p. 81.


Posted

in

by

Tags:


Featured Content

Ode II
Title: Ode II Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 recording     Related products:     – Ode II (PDF score) SAMPLE:
Rachmaninoff on interpretation
As the talented student grows older he must seek within himself his interpretation.  Does he wish to know how to play the cantilena of Beethoven or Chopin? He must feel it himself!  Talent is feeling, the feeling that every player experiences in his innermost consciousness… It takes years of work to understand and think out […]
Creativity
“Creativity is inventing, experimenting, growing, taking risks, breaking rules, making mistakes, and having fun.” — Mary Lou Cook, American community activist and author Reagan, M., Phillips, B. (1995)  The All-American Quote Book. United States: Harvest House, p. 68.
Positive change through creativity
You need something like Sesame Street to sort of increase the volume of good in the world. And also to know that through creativity, you can make change. Positive change can occur if you’re willing to see a problem and try to fix it and do it creatively. — Trevor Crafts Steve Rose, “The Secret […]
The beginning and the end
“Genius begins great works; labor alone finishes them.” – Joseph Joubert, French writer Joubert, J. (1983) The Notebooks of Joseph Joubert: A Selection. Translated by Paul Auster. San Francisco: North Point Press, p. 76.
Blessed Are They Who Dwell In Your House – Psalm 83 (84)
Title: Blessed are they who dwell in your house Text: Psalm 83 (84): 2-3, 5-6, 9-10. R. v.5 Composer: Greg Smith Instrumentation: SATB and piano (unison verses) Product medium: PDF score and partSAMPLE:
I’ll Softly Sigh
Composer: Greg Smith Title: I’ll Softly Sigh Instrumentation: Piano Performer: Greg Smith (2010) Your browser does not support the audio element. Sheet music
Two paths for the future of classical music
Greg Sanders ponders the position of classical music and describes the need for it to catch up with culture, without simply “dumbing it down”: “Of course, I think that if we really understand current culture, we’ll want to go the other way, and make classical music smarter.” Greg Sanders, Arts Journal Blog, February 2, 2009. […]
The effects of Brahms’ music
James Huneker, a critic with the New York Courier, wrote about the impact of Brahms’ music on him: Brahms dreams of pure white staircases that scale the infinite. A dazzling, dry light floods his mind, and you hear the rustling of wings – wings of great terrifying monsters; hippogrifs of horrid mien; hieroglyphic faces, faces […]
Mozart’s masterpieces
“Mozart makes you believe in God – much more than going to church – because it cannot be by chance that such a phenomenon arrives into this world and then passes after thirty-six years, leaving behind such an unbounded number of unparalleled masterpieces.” Sir Georg Solti Source: Kelly, Henry & Foley, John (1998) Classic FM […]