Start from scratch every timeBenjamin Appl on working with Dietrich Fischer-Dieskau: When people ask me about what I learned from Fischer-Dieskau, that’s what I always come back to: of course I could say a hundred things about technique and his reputation, but what I found most inspiring was how he created everything afresh. Whenever he was teaching he’d prepare […]
Context and beauty“When you’re young, you can be taken with the impulse of the moment and the beauty of a phrase, but the older you get, the more you see that the phrase is only beautiful because of the context within which it works. The melody is only the outward manifestation of something quite deep inside and […]
The fire of knowledge“When teaching, light a fire, don’t fill a bucket.” – Dan Snow, television presenter. Cited at QuotationsBook
BarcarolleTitle: Barcarolle Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level 2 (several five finger positions, left and right hands) Product medium: PDF score & MP3 accompaniment track SAMPLE: (audio of accompaniment track only)
Julius Asal on interpretationOn the one hand, I believe that to connect tradition and innovation is the most important thing to me personally. On the other hand, to explore the score and be close to what the composer wanted is essential. There is a way to find your own language within the details that the composers left. Julius […]
Music: the product of feeling and knowledgeMusic is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection. Hector Berlioz, A Travers Chants. Cited in I. Lipsius, Thoughts of Great Musicians, London, Augener, […]
The delicate nature of Chopin’s pianismChopin gave a recital in the Gentlemen”s Concert Hall, Manchester, on 28 August 1848. The audience of 1,200 people was the largest Chopin had ever performed to, but Chopin’s delicate playing was not really suited to such a large venue. Conscious of this fact, Chopin requested that another pianist, George Osborne, who was also performing […]
Go for long walksRachmaninoff once urged Horowitz to go for long walks. “If you don’t walk, your fingers will not run.” Abram Chasins, “The Return of Horowitz”, The Saturday Evening Post, October 22, 1966, p.102-3. Cited in: Gerig, Reginald (1974) Famous Pianists and Their Technique. Washington: Robert V. Luce, p.307.
Feeling FineTitle: Feeling Fine Composer: Greg Smith Instrumentation: Piano duet Level: 1 (5 finger position) Product medium: PDf score & MP3 accompaniment track (Audio sample of accompaniment track only)
Beethoven in 1821In his book, A Tour in Germany, and some of the Southern Provinces of the Austrian Empire, in 1820, 1821, 1822, published in Edinburgh in 1824, Sir John Russell describes Beethoven in 1821: The neglect of his person which he exhibits gives him a somewhat wild appearance. His features are strong and prominent; his eye […]