Transform audio into a notated score.  Music transcription can be particularly useful to composers and performers that incorporate elements improvisation into live performances or composition method. From cadenzas, improvised solos, to whole pieces of music; Emotemuse Music Services can provide music transcription services that suit your needs: – Direct transcriptions: the exact ensemble performing is […]

“If we understood the world, we would realize that there is a logic of harmony underlying its manifold apparent dissonances.” Jean Sibelius, in conversation with Gustav Mahler, 1907. Cited in: Henry Thomas & Dana Lee Thomas Living Biographies of Great Composers. Garden City (NY): Blue Ribbon, [1940] 1946) p. 309.  [Cited at Wikiquote.]

In 1777, Mozart was having lunch with his uncle at the Holy Cross Convent in Ausburg. Mozart played a sinfoni and Vanhall’s Violin Concerto in B. In the evening, at supper, he performed his Strasbourg concerto, a keyboard prelude and his Fischer Variations (K179). It was suggested to the deacon of the Holy Cross Conen, […]

Prokofiev and his family moved into a small top floor-apartments in Paris.  Prokofiev spent much time practicing a revised version of his second piano concerto (which was to be premiered 8 May 1924).  The apartment manager demanded that Prokofiev cease playing.  His wife Lina recalled Prokofiev’s response: All right then, you don’t want to hear […]

Title: Tales from the Carreck of Fergus McGee (I. Lament; II: Gigue) Composer: Greg Smith Instrumentation: Piano Product medium: PDF score

“In 2007 Italian cellist Mario Brunello climbed to the summit of Mount Fuji and played selections from Bach’s cello suites, declaring that “Bach’s music comes closest to the absolute and to perfection.” Source: Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen & Unwin. p.6.

“The secret of the vital power of Tchaikovsky’s music lies in the fact that there is virtually not a single province of his music–from the gems of Russian chamber music that issued from his pen to his greatest operas or symphonic poems–in which the appeal and effect of the music was less than in any […]

He [Brahms] sat down and began the sonata which had so impressed Joachim [a violinist].  As he played, a swift change transformed [Robert] Schumann’s impassive features.  The Master listened with growing interest, then suddenly sprang to his feet. “Please”, he cried.  “Will you wait just a moment? Clara -” He hurried to the door and […]

"I know of no work by Schumann that is not wonderful and inspiring.  One must leave every note just as he wrote it and experiment in order to find the correct balance and equilibrium.  With Schumann there is always this burning inventiveness, this unbelievable inspiration." – András Schiff.  Cited in Julian Haylock ""The Music of […]

‘”There are two golden rules for an orchestra: start together and finish together. The public doesn’t give a damn what goes on in between.” – Thomas Beecham, conductor.  Cited at: Quotationsbook