Debussy on Metronome markingsYou know what I think about metronome marks: they’re right for a single bar, like “roses, with a morning life”. Only there are “those” who don’t hear music and who take these marks as authority to hear it still less! But do what you please. — Debussy, Letter to Jacques Durand of 9 October 1915 […]
Imogen Cooper on a lesson with Alfred BrendelHe was a wonderful teacher. He is extremely articulate and very demanding. He made no concessions to my age. In my first lesson, I was playing a Schubert piano sonata, and the first chord took 20 minutes. I played it again and again, and Brendel wandered around the room saying: “No, balance of sound wrong […]
As good as Paderewsky“At the end of a dinner he was attending by a lady in Liege, Ysaÿe was asked to listen to a young violinist. Although he felt tired and was longing to go back home he could not but accept his hostess’s request. The young man played several pieces from his repertoire. Then, after a long […]
Waste no note“Never write an unnecessary note. Every note must live.” Jean Sibelius, in a radio interview with Kalevi Kilpi, 1948) Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Gramophone: no substitute for live performanceBritish conductor Thomas Beecham was not too impressed with early recording technology (the gramophone): It was put to him that for people who lived in remote districts, far from orchestral concerts, the gramophone was an alternative: "It is no alternative to this," he said, waving his arm towards the hall, where the orchestra was waiting […]
Work joyfully and peacefullyIf you will become possessed of this faith you will not need to bother about your success or failure, for success will come. You will not need to be anxious about the results, and will work joyfully and peacefully, knowing that right thoughts and right efforts will inevitably bring about right results. — James Allen […]
Abstraction IIITitle: Abstraction III Composer: Greg Smith Instrumentation: Trombone and piano Product medium: PDF score and part SAMPLE:
A young Josef HoffmannThe Polish pianist, Josef Hoffmann may have been a child prodigy. Upon hearing him play, Anton Rubinstein, who typically disliked child prodigies said told his manager, “This prodigy I believe in. Hear him!” (1) Yet in 1908, The Daily Graphic looked back on having seen the young pianist: When Joseph Hoffmann was an infant prodigy, […]
String ensembleThe logic of opera in English“Opera in English, is about as sensible as baseball in Italian.” – H. L. Mencken, twentieth century American journalist, critic, and satirist. Peter, Lawrence J. (ed) (1977) Quotations for Our Time