A lock of Beethoven’s hairOnce a devoted admirer, wife of a Vienna pianist, longed for a lock of the composer’s outrageously unkempt hair, and asked a friend to get her one. At his suggestion, Beethoven, who was a practical joker of boorish capabilities, sent her a tuft from the chin of a goat. The trick was discovered, and the […]
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Accustomed to being ignoredJosef von Spaun recalled the following incident involving Franz Schubert at a concert. Schubert had just accompanied Baron Schönstein, at the house of Karolina Maria Kinsky (Princess, née Baroness Kerpen) when everyone loudly acclaimed Schönstein for his performance while taking no notice of the composer who had accompanied him, the princess sought to make amends […]
Performance anxiety“There is no anxiety in the present. Anxiety is either in the past, worrying about what was just played, or in the future, worrying about what you are about to play. Nothing can be done about either! Don’t judge or evaluate while you’re performing.” — Charles Schlueter, principal trumpet with the Boston Symphony. Cited in: […]
Turn to the Lord in your Need (Setting II) – Psalm 68 (69)Title: Turn to the Lord in your need (Setting II) Text: Psalm 68 (69): 14, 17, 30-31, 33-34, 36, 37 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Scores and recordingsRecordings Scores Brass Brass ensemble Trombone Orchestra/Concert band Concert band Piano Piano solo Piano method Strings Cello and piano String ensemble Vocal and choral General Sacred Woodwind Bassoon
SymbolismStokowski rebukesThe conductor Stowkoski was always in complete control of his orchestra: He never lost his tempoer with the orchestra, never raised his voice. On the contary, he would lower his voice for a subtle rebuke or a sarcastic comment. Schwar recalled Stokowski saying, “Second clarinet, don’t play notes – sing them.” To the first violist, […]
Stanford on Tchaikovsky“Tchaikovsky reminded me, in more ways than one, of his countryman Tourgéniew, whom I once met at Madame Viardot’s. He had none of the Northern roughness, was as polished as a Frenchman in his manner, and had something of the Italian in his temperament… For all the belief which he had in himself, he was […]
Dee-da-dee-da-dee-da-splat“I also like to play the famous tunes because there’s nothing like inspiring a whole bunch of kids who are struggling to play these pieces on flute. And then they see me ripping through them. They all want to play Flight of the Bumblebee when they’re 11 years Old. And it goes something like “dee-da-dee-da-dee-da-splat!” […]
