The line and the harmony

Phrases have their own topography—they move forward with the line but also remain wedded to the ground with each change of harmony, and this is where the battle lies, why each piece of music grapples with its own destructive potential, why beauty is never what it appears to be.

— Simon Tedeschi

S. Tedeschi, Fugitive, Perth, Upswell Publications, 2022.

Posted

in

by


Featured Content

The purpose of education
“The purpose of education is to keep a culture from being drowned in senseless repetitions, each of which claims to offer a new insight.” — Harold Rosenberg, American writer, educator, philosopher and art critic. Harold Rosenberg, “On the New Cultural Conservatism”, Partisan Review, 1972, vol. 39, no. 3, p. 444.  Digitally archived at http://archives.bu.edu/collections/partisan-review/search/detail?id=326096, accessed […]
Concentrate on the performance
Daniel Saidenberg ws the first cellist of the Philadelphia Orchestra, conducted by Leopold Stokowski.  He recalled: Stoki’s ability to exert disciplines was occasionally matched by a sense of humor.  After a concert at which I had played the Saint-Saëns A-minor Concerto, one of my buddies said, “Watch your step, Danny.  All through the second movement, […]
Ravel’s compositional process
Robert de Fragny recalled a conversation with Ravel about his compositional process: The G major Concerto took two years of work, you know.  The opening theme came to me on a train between Oxford and London. But the initial idea is nothing.  The work of chiseling then begun.  We’ve gone past the days when the […]
People must hear me
“I cannot tell you how much I love to play for people. Would you believe it – sometimes when I sit down to practice and there is no one else in the room, I have to stifle an impulse to ring for the elevator man and offer him money to come in and hear me.” […]
A Light Rises in the Darkness – Psalm 111 (112)
Title: A Light Rises in the Darkness Psalm 111 (112): 4-9 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part.
You Are A Priest For Ever (Setting II) – Psalm 109 (110)
Title: You are a priest for ever (Setting ii) Text: Psalm 109 (110): 1, 2, 3, 4 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
The current state of the recording industry
Founder Klaus Heymann, founder of the successful NAXOS label, on the current state of the classical music recording industry: “We can’t live off CD sales anymore,” says the German-born Heymann, 75, speaking by phone from his base in Hong Kong. When Naxos began, Heymann proved that you could make money selling tens of thousands of […]
Beethoven’s prank
Beethoven was a musician for the Electoral court and chapel in Bonn. Franz Wegeler, a friend of of Beethoven’s, recounted an incident where the young Beethoven was to accompany a singer, Ferdinand Heller, in a church service. Heller prided himself on being able to sing in tune, no matter how complicated the accompaniment. Beethoven asked Heller if he […]
Glenn Gould on recording
Pianist Glenn Gould discussed the recording process with Yehudi Menuhin completing the playback of a Bach gigue: Now, Yehudi, you’ve got to admit that you would not be likely to encounter a sound like that in the concert hall… The point is that, if I were to play that piece in a concert hall, as […]
Beethoven’s contest
In 1800, an improvisation contest occured between Beethoven and the pianist Daniel Steibelt. It was agreed that Prince Lobkowitz would sponsor Steibelt and Prince Lichnowsky sponsor Beethoven, the improvisation contest to take place in Lobkowitz’s palace. As the challenger, Steibelt was to play first. He walked to the piano, tossing a piece of his own […]