Give music to those who love it“Music must be given to those who love it. I want to give free concerts; that’s the answer.” -Sviatoslav Richter, pianist Bruno Monsaingeon: Introduction to Sviatoslav Richter — Notebooks and Conversations p. XX. Cited at: Wikipedia
Master of the Tomb (The Boy and the Heron)Composer: Joe HisaishiArranger: Greg SmithTitle: “Master of the Tomb”, from The Boy and the HeronInstrumentation: Piano Solo This item is available from Sheet Music Direct and Sheet Music Plus.
Examination findingsSome curious answers for the Society of Arts published in the Musical Times (English Journal), July 1888: The Examiner’s report on the papers worked by the candidates in the recent Theoretical Examinations of the Society of Arts shows some very curious facts. … Mistakes in spelling have not been accredited with loss to to the […]
Silence, expression, and musicFrom pure sensation to the intuition of beauty, from pleasure and pain to love and the mystical ecstasy and death—all the things that are fundamental, all the things that, to the human spirit, are most profoundly significant, can only be experienced, not expressed. The rest is always and everywhere silence. After silence that which comes […]
What is imagination?What is Imagination? We talk much of Imagination. We talk of Imagination of Poets, the Imagination of Artists &c; I am inclined to think that in general we don’t know very exactly what we are talking about. Imagination I think especially two fold. First: it is the Combining Faculty. It brings together things, facts, ideas, […]
Art cannot change events. But it can change people.“The point is, art never stopped a war and never got anybody a job. That was never its function. Art cannot change events. But it can change people. It can affect people so that they are changed…because people are changed by art – enriched, ennobled, encouraged – they then act in a way that may […]
The two faces of an art work“Every great work of art has two faces: one toward its own time and one toward the future, toward eternity.” — Daniel Barenboim. Cited in: Barenboim, Daniel & Said, Edward (2002) Parallels and Paradoxes: Explorations in Music and Society. New York: Pantheon Books.
Stravinsky on Verdi’s Rigoletto“I say that in the aria ‘La donna è mobile’, for example, which the elite thinks only brilliant and superficial, there is more substance and feeling than in the whole of Wagner’s Ring cycle.” – Igor StravinskyCited in Brandenburg, Daniel (2012). Verdi: Rigoletto. Bärenreiter.
Encouraging talent“What greater pleasure is there is life than giving young and beautiful talent a little lift in the direction of the stars though they will never reach them.” Sir Clifford Curzon – English pianist Pianist, No. 59, April-May 2011, Warner Group publications, p.10.
Mozart on melody“Melody is the essence of music”, continued he; “I compare a good melodist to a fine racer, and counterpointists to hack post-horses; therefore be advised, let well alone, and remember the old Italian proverb – ‘Chi sa piu, meno sa – Who knows most, knows least’.” The Reminiscences of Michael Kelly, 1826. Cited in: Marshal, […]