Beethoven, who is often bizarre and baroque, takes at times the majestic flight of an eagle, and then creeps in rocky pathways. He first fills the soul with sweet melancholy, and then shatters it by a mass of shattered chords. He seems to harbor together doves and crocodiles.
A review of Beethoven’s First Symphony, Tablettes de Polymnie, Paris, 1810. Cited in: Cited in: James Irsay, “The Complete Beethoven Piano Sonatas–Artur Schnabel”, https://www.loc.gov/static/programs/national-recording-preservation-board/documents/SchnabelBeethovenPianoSonatas.pdf, accessed 19 August 2020.
Harbouring doves and crocodiles
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On Artur Schnable’s playing
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