In 1824, Schubert wrote a letter to his friend Schober concerning a general complacency about the role of art at the time: The idle time, which hinders the fulfillment of all greatness, destroys me too. Even golden verse is foolishly mocked by the people, no longer attentive to its powerful message. Only by the gift […]

Greg Smith’s experience as a composer and chamber musician means that he is comfortable scoring in a variety of styles and instrumental forces: – chamber (e.g., piano, cello and piano, string quartet) – choral – orchestra – wind orchestra Greg can arrange in a variety of styles, from classical to jazz. Contact Greg Smith ARRANGMENTS, […]

The conductor Stowkoski was always in complete control of his orchestra: He never lost his tempoer with the orchestra, never raised his voice.  On the contary, he would lower his voice for a subtle rebuke or a sarcastic comment. Schwar recalled Stokowski saying, “Second clarinet, don’t play notes – sing them.”  To the first violist, […]

The conductor Stokowski was co-conductor of the San Francisco Symphony Orchestra.  He was rehearsing his own orchestration of Mussorgsky’s Pictures at an Exhibition.  The orchestra, however, was used to playing Ravel’s exuberant orchestration. Charles O’Connell recalled: “In the midst of the rehearsal, one of the second violinists busied himself practising the Mendelssohn Violin Concerto, which […]

An old thing becomes new if you detach it from what usually surrounds it. — Robert Bresson, French filmmaker J. Butler, Star Texts: Image and Performance in Film and Television, Detroit, Wayne State University Press, 1991, p. 170.

Handel certainly liked to eat: A story is told of him that he once ordered up enough dinner for three. Noting that the servant dawdled about, Handel demanded why; the servant answered that he was waiting for the company to come, whereupon Handel stormed, in his famous broken English, “Den print up der tinner prestissimo. […]

TITLE: Your Ways, O Lord, are Love and Ruth TEXT: Psalm 24 (25):4-9 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano (unison verses) PRODUCT MEDIUM: PDF score and part SAMPLE:  

One of Tchaikovsky’s favorite anecdotes resulted from his nearly losing the sketches for the Little Russian on the way back to Moscow. To persuade a recalcitrant postmaster to hitch the horses to the coach in which he and his brother Modest had been travelling, Tchaikovsky presented himself as “Prince Volkonsky, gentleman of the Emperor’s bedchamber.” […]

A good performance is one that moves me. But it is not only the passion and emotion expressed in a performance that move me, it is also allowing the clarity of the structure, as well as the different characters, to shine through, a well-judged balance, a sense of architecture of the whole piece and, at […]

“Improvisation is too good to leave to chance.” -Paul Simon, singer & composer Cited at Aphorism.ru. Accessed 31 March 2013.