Memory

Andrew Lloyd Webber originally composed the melody that is now known as “Memory” from Cats for a miniature opera about Puccini and his wife.

The opera was never performed, but the melody was brought out of retirement as possible song for Juan Peron in Webber’s Evita.  That show was certainly performed but the melody in question had been dropped.  Originally, Andrew Lloyd Webber had played the tune to his father, also a composer, and asked if it sounded like Puccini.  William Lloyd Webber replied that it sounded more like a million dollars.

Source: Cryer, Max (2008) Love Me Tender.  Auckland: Exisle Publishing, p.13.


Posted

in

by


Featured Content

Beethoven conducting
On 5 April 1803 Beethoven conducted an concert of his own works: the First and Second Symphonies; The Third Piano Concerto, and his oratorio Christ on the Mount of Olives. It is likely that the he directed the piano concerto (which he played) from the piano. Ignaz von Seyfried gave an account of Beethoven’s conducting […]
Steps
“There is no one giant step that does it. It’s a lot of little steps.” — Peter A. Cohen Ford Saeks, Superpower!  How to Think, Act, and Perform with Less Effort and Better Results, New Jersey, John Wiley & Sons, 2012, p. 198
The two faces of an art work
“Every great work of art has two faces: one toward its own time and one toward the future, toward eternity.” — Daniel Barenboim. Cited in: Barenboim, Daniel & Said, Edward (2002) Parallels and Paradoxes: Explorations in Music and Society. New York: Pantheon Books.
Start from scratch every time
Benjamin Appl on working with Dietrich Fischer-Dieskau: When people ask me about what I learned from Fischer-Dieskau, that’s what I always come back to: of course I could say a hundred things about technique and his reputation, but what I found most inspiring was how he created everything afresh. Whenever he was teaching he’d prepare […]
Rafal Blechacz on interpretation
Most of all, I give myself plenty of time to get familiar with the composition, to “grow into” its concepts. The composition “congeals” under your fingers and in your heart; each phrase becomes yours, and the artistic expression, which emanates from the piece, becomes your expression. Artistic intuition also plays an important role, although it […]
The reach of art
“Art — reaches out to one specific person (even and especially if that person is imaginary.” Todd Brison, “A Warning Letter to All Writers”, Medium, 25 August 2020, https://medium.com/better-marketing/a-warning-letter-to-all-writers-df00d53f8795, accessed 4 September 2020.
Popular classical music is great too
“A lot of what you call the great repertoire is popular, but that doesn’t mean it’s not a great work. I mean, come on. Rachmaninoff 3 is great. There shouldn’t be ‘If this work is so popular, then don’t do it.’ In the art world it is only what you feel right to perform.” Lang […]
Without music
“Without music, life would be a mistake.” — Friedrich Nietzsche, in Twilight of the Idols
Silence, expression, and music
From pure sensation to the intuition of beauty, from pleasure and pain to love and the mystical ecstasy and death—all the things that are fundamental, all the things that, to the human spirit, are most profoundly significant, can only be experienced, not expressed. The rest is always and everywhere silence. After silence that which comes […]
Artificial by nature
Burnett James describes how in the 1920s Ravel was preoccupied with decorating "Le Belvédère" [his house] and in laying out the garden with many small exotic plants and miniature Japanese trees. To see that house and garden today is to experience a feeling of direct contact with Ravel. He deliberately made it an accurate reflection […]