O Danny Boy

Long before the tune Danny Boy even had words the tune existed as an Irish folk melody.  A study in 1979 revealed that Londonderry Air was related to Aislean an Oigfear (The Young Man’s Dream), which had been collected in 1792 from harpist Denis O’Hampsey  He was over ninety at the time and had played it for years.

While the Irish may claim the tune of Danny Boy as their own, the lyrics were written by Fred Weatherly (who also wrote lyrics for The Holy City), an Englishman, and was first published in 1913.  The lyrics were written before he had seen the tune.

Posted

in

by

Greg

Tags:

, , ,

Featured Content

Liszt’s account of a performance by Chopin
Franz Liszt described one of Chopin’s concerts in the Gazette musicale, May 2 1841. Last Monday, at eight o’clock in the evening, M. Pleyel’s rooms were brilliantly lighted up; numerous carriages brought incessantly to the foot of a staircase covered with carpet and perfumed with flowers the most elegant women, the most fashionable young men, […]
Practising at every opportunity
The conductor Stokowski was co-conductor of the San Francisco Symphony Orchestra.  He was rehearsing his own orchestration of Mussorgsky’s Pictures at an Exhibition.  The orchestra, however, was used to playing Ravel’s exuberant orchestration. Charles O’Connell recalled: “In the midst of the rehearsal, one of the second violinists busied himself practising the Mendelssohn Violin Concerto, which […]
Speed (2)
Go to more crosswords
Art constructs, not deconstructs
“Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction.” Simone Weil, French philosopher & mystic. Simone Weil, The Pre-War Notebook (1933-1939), published in First and Last Notebooks (1970) edited by Richard Rees.
Debussy’s reception in England
In 1908-9, Claude Debussy made two appearances conducting his own works in England.  The Musical Times reported on the occasions. The report on the first concert: Nothing could have been heartier than the applause which greeted M. Claude Debussy as he stepped on to the platform at Queen’s Hall on February 1.  The warmth of […]
The importance of music in pantomime
“In pantomime every single episode, each movement in each episode (its plastic modulations)—as well as the gestures of every character and the groupings of the ensemble—are determined precisely by the music, by its changes in tempo, its modulations, its overall structure. In pantomime the rhythm of the movements, gestures, and groupings synchronized precisely with the […]
Be With Me, Lord, When I Am In Trouble (Setting II) – Psalm 90 (91)
Title: Be with me, Lord, when I am in trouble (setting ii) Text: Psalm 90 (91): 1-2, 10-15. R. v.15 Composer: Greg Smith Instrumentation: SATB and piano Product medium: SATB score and partSAMPLE:
A hundred violins may play softer than one
John Holmes “reiterates that only with a large group can you get a truly soft sound. Sure, a solo fiddle can hold its own against a hundred fiddles: a hundred fiddles are never a hundred times louder than a solo at the same dynamic, since there’s no such animal as “a same dynamic,” or even […]
Berlioz on editorial license
“You musicians, you poets, prose-writers, actors, pianists, conductors, whether of third or second or even first rank, you do not have the right to meddle with a Shakespeare or a Beethoven, in order to bestow on them the blessings of your knowledge and taste.” – Hector Berlioz, on tampering with fine creations (in this case, […]
Symbolism