Music as an emotional science

Music sets up a certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized. I like to think of music as an emotional science.

— George Gershwin

Daniel Albright. Modern and Music: An Anthology of Sources. Chicago, The University of Chicago Press, p. 388.


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The path of an artist
“A good traveler has no fixed plans and is not intent upon arriving. A good artist lets his intuition lead him wherever it wants.” – Lao Tzuo, Chinese philosopher. Cited at: QuotationsBook
Kreutzer’s Wanderlieder and Schubert
Schubert was familiar with Kreutzer’s Wanderlieder song cycle (written in 1817). Spaun twice told the following anecdote of his friend’s reaction to the Wander-Lieder shortly after their publication: “We once found him playing through Kreutzer’s Wanderlieder, which had just appeared. One of his friends [ Anselm Hüttenbrenner] said ‘Leave that stuff alone and sing us […]
Sondheim on the language of music
American composer and lyricist Stephen Sondheim has released a book Finishing the Hat: The Collected Lyrics of Stephen Sondheim, with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes.  The following is an extract from interview an article on Sondheim by Emma Brockes: Initially a maths student at Williams College in Massachusetts, the young Sondheim took […]
Uniqueness
“The more you like yourself, the less you are like anyone else, which makes you unique.” — Walt Disney L. Howes, “20 Lessons from Walt Disney on Entrepreneurship, Innovation and Chasing Your Dreams”, Forbes, 17 July 2012, https://www.forbes.com/sites/lewishowes/2012/07/17/20-business-quotes-and-lessons-from-walt-disney/?sh=4b3af9d44ba9, accessed 13 January 2022.
Borge on Borodin
"My favorite Russian composer is Borodin, mainly because he had the shortest name. Except for Cui, who was just showing off. […] Cui wrote an opera called A Feast in Time of Plague. Shows you what kind of guy HE was." (Victor Borge, My Favorite Intermissions, New York, 1971, p133)  
Leave Me Alone (Lasst mich allein) (Dvorak)
Title: Leave me alone (Lasst mich allein) (op. 82, no. 1) Composer: Antonin Dvorak Text: Ottilie Malybrok-Stieler Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part Sample:
Gershwin conducting
Isaac Goldberg described Gershwin’s enthusiasm when conducting: He conducted not just with his baton, but with his cigar, his shoulders, his hips, his eyes and whatnot.  Nothing but a sense of propriety keeps him from leaping over the footlights and getting right into the show himself. Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon […]
New art and the old formulae
An art gathers new material usually by an original rejection of old formulae, a gesture of negation. At the beginning, this gesture is conscious, defiant, it lacks any other reason for existence than the very healthy one that dogma is death. In the turmoil of growth and expansion, this negation and denial loses its identity […]
Feeling a bond with your instrument
“Research in Finland has uncovered the benefits of feeling a bond with your instrument. 51 per cent of musicians surveyed reported that they were united with my instrument/voice during performance that there is no difference between us. When this bond is complete, performers may enter in a state of intense concentration, causing them to lose […]
Spontaneity and art
Alexander Gow, musician in the band Oh Mercy on spontaneity of artistic creation: [Spontaneity is] when art is expression, and that’s what I’m interested in. If, like you said, there’s a spontaneity to it and it’s an extension of a certain kind of moment or feeling, and if you’re clever enough to express that through […]