Music is for me to play

“You claim that I write monstrosities which only the composer can play. What if they were meant only for the composer?”

Kaikhosru Shapurji Sorabji to his friend Peter Warlock.

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Beethoven’s compositional process
Beethoven was revising Fidelio when he wrote to Georg Freiedrich Treitschke (who was helping to revise the libretto) (1): Now, of course, everything has to be done at once; and I could composer something new far more quickly than patch up the old with something new, as I am now doing. For my custom when I […]
A conductor’s hair style
In Halina Rodzinski’s book Our Two Lives she describes how on the very first day Artur Rodzinski came to assist Stokowski in 1929, his boss immediately restyled his hair without a part and combed straight back from the brow.  “That’s how a conductor should look,” said Stokowski, pointing Rodzinski at a mirror in his dressing […]
I Will Walk in the Presence of the Lord – Psalm 115 (116b), Psalm 114 (116a)
Title: I will walk in the presence of the Lord Text:     – Psalm 115 (116b):10, 15-19 (R. Psalm 114 (116a):9)     – Psalm 114 (116a):1-6, 8-9. R. v.9. Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF Score and part Sample:
October from The Seasons (Tchaikovsky)
Title: “October” from The Seasons, op. 37 bis Composer: Pytor Illich Tchaikovsky Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:
My tempo must be followed
Ravel was very particular about how his works were performed.  Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout.  He made a recording of that, too establishing his requirement.  Toscanini took it much faster and made an accelerando towards the end.  Ravel, who was in the audience, objected.  He […]
Karajan and direction
Seiji Ozawa recalls Karajan’s overarching concept of music: I really shouldn’t start comparing Karajan and Bernstein. I’m thinking of the word “direction” – the direction of the music. In Maestro Karajan’s case, he had it from birth – the ability to make long phrases. It was something he taught us, the ones who studied with […]
Of the Father’s love begotten
Title: Of the Father’s Love Begotten Tune: Divine Mysterium Composer: 11th Century Chant Arranger: Greg SmithInstrumentation: SATBProduct medium: PDF score Sample:
I do not choose my listeners
“I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will […]
Impromptu (Sibelius)
Title: Impromptu (Op. 97, no.5) Composer: Jean Sibelius (arr. Greg Smith) Instrumentation: Trombone and piano Product medium: PDF score and part
You Are A Priest For Ever (Setting II) – Psalm 109 (110)
Title: You are a priest for ever (Setting ii) Text: Psalm 109 (110): 1, 2, 3, 4 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample: