What makes a great song great is not its close resemblance to a recognizable work. Writing a good song is not mimicry, or replication, or pastiche, it is the opposite. It is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult the artist beyond the limits of what he or she recognises as their known self. This is part of the authentic creative struggle that precedes the invention of a unique lyric of actual value; it is the breathless confrontation with one’s vulnerability, one’s perilousness, one’s smallness, pitted against a sense of sudden shocking discovery; it is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes in the inner workings of the song their own blood, their own struggle, their own suffering. This is what we humble humans can offer, that AI can only mimic, the transcendent journey of the artist that forever grapples with his or her own shortcomings. This is where human genius resides, deeply embedded within, yet reaching beyond, those limitations.
Nick Cave, in response to “songs” generated by ChatGPT
N. Cave, “Chat GTP: What do you think?” The Red Hand Files, Issue 2018, January 2023, https://www.theredhandfiles.com/chat-gpt-what-do-you-think/ (accessed 28 January 2023)
Nick Cave on the creative process
by
Featured Content
The tragedy of music
“The tragedy of music is that it begins with perfection.” – Morton Feldman, American composer. Cited in a May 1976 interview, Studio International, November 1976, pp. 244-248.
Feed the inner beastLou Dorfsman, design chief for CBS Radio and later the CBS Television Network for over 40 years, once said, “In reality, creativity is the ability to reach inside yourself and drag forth from your very soul an idea.” However, nothing comes from nothing. You must continuously feed the inner beast that sparks and inspires. I […]
The Lord is my Light (Setting II) – Psalm 26 (27)Title: The Lord is my light (Setting II) Text: Psalm 26 (27): 1, 4, 13-14. R. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
A concise rehearsalHans Knappertsbusch (1888-1965) was a German conductor. However, he had a dislike of rehearsals. Karajan recalled: One time he was going over Tchaikovsky’s Fifth with the Vienna Philharmonic. He came to the second movement, with the horn solo, and said, “Let’s start.” He did a few bars, stopped, and said, “See you this evening. You […]
Part of the bigger pictureLeopold Stokowski conducted the American premier of Berg’s opera Wozzeck in 1930 (a joint effort of The Philadelphia Orchestra, the Phildelphia Grand Opera, and Curtis Institute). Abram Chasins recalls a rehearsal: I attended his second rehearsal with the orchestra in the pit and singers on the stage. After some twenty minutes of singing and acting, […]
Through the Long NightTitle: Through the Long Night Composer: Greg SmithText: Edward Carpenter Instrumentation: TTBBProduct medium: PDF score
Love Came Down At Christmas (piano)Title: Love came down at Christmas Text: Christina Rossetti Composer: Greg Smith Instrumentation: Piano solo Product medium: PDF score Related products: – Love came down at Christmas – SATB and piano – Love came down at Christmas – Piano solo (MP3) hase_link id=”1673″ text=”Purchase” style=”button” color=”blue”] Samples:
An artist can change his perspectiveAn artist groping his way forward can open a secret door and never understand that this door hid an entire world. So it is that, if a man who passes for the father of a school, because he determined it, one day shrugs his shoulders and renounces it, that by no means discredits the school. […]
Vaughan Williams on Hubert ParryVaughan Williams studied composition with Dr. Hubert Parry at the Royal College of Music, London. Vaughan Williams recalled: Many … entirely misunderstood Parry; they were deceived by his rubicund bonhomie and imagined that he had the mind, as he had the appearance, of a country squire. The fact is that Parry had a highly nervous […]
Pavarotti“Pavarotti is like someone who has swalled a Stradivarious.” – Peter Ustinov Cited in: Jarski, Rosemarie (2005) Great British Wit. London: Ebury Press, p. 203.
