What makes a great song great is not its close resemblance to a recognizable work. Writing a good song is not mimicry, or replication, or pastiche, it is the opposite. It is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult the artist beyond the limits of what he or she recognises as their known self. This is part of the authentic creative struggle that precedes the invention of a unique lyric of actual value; it is the breathless confrontation with one’s vulnerability, one’s perilousness, one’s smallness, pitted against a sense of sudden shocking discovery; it is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes in the inner workings of the song their own blood, their own struggle, their own suffering. This is what we humble humans can offer, that AI can only mimic, the transcendent journey of the artist that forever grapples with his or her own shortcomings. This is where human genius resides, deeply embedded within, yet reaching beyond, those limitations.
Nick Cave, in response to “songs” generated by ChatGPT
N. Cave, “Chat GTP: What do you think?” The Red Hand Files, Issue 2018, January 2023, https://www.theredhandfiles.com/chat-gpt-what-do-you-think/ (accessed 28 January 2023)
Nick Cave on the creative process
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Feeling Fine
Title: Feeling Fine Composer: Greg Smith Instrumentation: Piano duet Level: 1 (5 finger position) Product medium: PDf score & MP3 accompaniment track (Audio sample of accompaniment track only)
Teaching methodThe greatest applause“The silence that accepts merit as the most natural thing in the world, is the highest applause.” — Ralph Waldo Emerson “An address delivered before the senior class in Divinity College, Cambridge, Sunday Evening, July 15, 1838”, The Works of Ralph Waldo Emerson, in 12 vols. Fireside Edition (Boston and New York, 1909). Vol. 1 […]
Speed (1)Go to more crosswords
Mozart on rubato in adagiosIn 1777, Mozart visited Heir Stein in Ausburg (1). According to Mozart, Stein had stated that no-one has ever played his Piano Forte as well as I have, and, besides, I always keep correct time. They are all wondering about that. They simply can’t believe that you can play a Tempo rubato in an Adagio, […]
Saint-Saëns defending virtuosityIt is virtuosity itself that I want to defend. It is the source of the picturesque in music, it gives the artist wings with whose help he escapes platitudes and the everyday. The conquered difficulty is in itself a beautiful thing. Theódphile Gautier, in Émaux et camées, considered this issue in immortal verses. . . […]
Knowledge represents inner strength“Knowledge is not a passion from without the mind, but an active exertion of the inward strength, vigor and power of the mind, displaying itself from within.” – Ralph Cudworth, Treatise Concerning Eternal and Immutable Morality (1731)
Rachmaninoff on modernity versus his musical styleI feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing, and I cannot acquire the new. I have made intense effort to feel the musical manner of today, but it will not come to me. Unlike Madame Butterfly with her quick religious conversion, I cannot […]
Dmitri Shostakovich: Piano Trio No. 2, Op. 67I. Andante-Moderato II. Allegro non troppo III. Largo IV. Allegretto Having recently finished his Eighth Symphony, Shostakovich stated work on his second Piano Trio in late 1943: Chamber music demands of a composer the most impeccable technique and depth of thought. I don’t think I will be wrong if I say that composers sometimes hide […]
It’s my apartment and I’ll play if I want toProkofiev and his family moved into a small top floor-apartments in Paris. Prokofiev spent much time practicing a revised version of his second piano concerto (which was to be premiered 8 May 1924). The apartment manager demanded that Prokofiev cease playing. His wife Lina recalled Prokofiev’s response: All right then, you don’t want to hear […]