A letter written by composer Ludwig van Beethoven has emerged in Germany after being left in a will. In the six-page document of Beethoven’s scrawled corrections, he complains about his illness and a lack of money. Experts were already aware of the 1823 letter’s existence, but say it is of historic value. BBC News, 11 […]

ABSTRACT The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire of piano music — ranging from miniatures to virtuosic etudes and sonatas. Growing out of the nineteenth century romantic tradition, and highly influenced by the social conditions of the time, Russian composers developed a distinctive style which […]

The composer Burton Lane describes George Gershwin’s playing: You could feel the electricity going through the room when he played.  He could transpose into any key with the greatest of ease.  He had total command of what he was doing.  Musical surprises, unusual changes of keys.  He was one of the few composers who had […]

A study published in the Journal of Environmental Psychology has concluded that the level of lighting in a room can impact the level of creative thinking. Anna Steidle and Lioba Werth concluded that “darkness increases freedom from constraints, which in turn promotes creativity.” A dark environment “elicits a feeling of freedom, self-determination, and reduced inhibition, […]

“Whoever communicates to his brothers in suffering the secret splendour of his dreams acts upon the surrounding society in the manner of a solvent and makes all those who understand him, often without their realisations, outlaws and rebels.” Pierre Quillard (symbolist poet), 1892.

Title: Give thanks to the Lord Text: Psalm 105 (106) Composer: Greg Smith Instrumentation: SATB and piano/organ Product medium: PDF score and parts SAMPLE:    

ARTICLES & PAPERS: PROGRAM NOTES:

The one bee in my bonnet is over-pedalling, and I give my students a hard time about that. It’s the lack of being able to play a true legato with the fingers.  People rely on the pedal for that, and the pedal is not there for that.  The pedal is for putting the gloss on.  […]

“Success is not a doorway, it’s a staircase.” — Dottie Walters

In 2010, Violinist Nikolaj Znaider performed Elgar’s Violin Concerto on the same 1741 violin in which Kriesler premiered the work on a hundred years before. Znaider was not worried about comparisons to Kriesler’s original performance: “he way I think of music is that it really is something that is played in the moment – it’s […]