The following is an account of the conductor Hans von Bülow: The newspaper critics Bülow continued to despise because of their self-importance, and he lost no opportunity to expose their musical ignorance.  On one occasion, Bülow, at a public rehearsal in the Philharmonie, remarked upon a printing error in the second horn part of the […]

Title: Abstraction II Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:

Title: Be with me, Lord, when I am in trouble (setting ii) Text: Psalm 90 (91): 1-2, 10-15. R. v.15 Composer: Greg Smith Instrumentation: SATB and piano Product medium: SATB score and partSAMPLE:

American composer Steve Reich on his compositional process: When I compose, I notice I’m the only one in the room. (laughs) I tend to be a somewhat self-critical person. I use my emotional faculties to judge whether I want to hear something again. Basically I have no one in mind except pleasing myself. And my […]

You go to a great school not so much for knowledge as for arts and habits, for the habit of attention, for the art of expression, for the art of assuming at a moment’s notice a new intellectual position, for the art of entering quickly into another person’s thoughts, for the habit of submitting to […]

Conductor James Levine on Tchaikovsky’s opera Eugene Onegin: Eugene Onegin is very special, an incredibly successful piece; there is nothing quite like it. The character of Tatyana is so extraordinary. Tchaikovsky absorbed certain things from Pushkin’s original poem, and then composed his own opera, which of course angered some other great Russian artists, like Stanislavsky […]

Composer: Johannes Brahms Text: Klaus Groth Title: Wie melodien zieht es mir (Like melodies it pulls me), op. 105, no. 1 Instrumentation: Cello and piano Product medium: PDF score and part Sample:  

‘”There are two golden rules for an orchestra: start together and finish together. The public doesn’t give a damn what goes on in between.” – Thomas Beecham, conductor.  Cited at: Quotationsbook

“From here on out, I declare that no one ever wish me again to ‘break a leg’”. Joyce DiDonato, American mezzo soprano, shortly after having broken a leg on stage in a production of The Barber of Serville at the Royal Opera House. DiDonato insisted on continuing the performance in a wheel chair. Source: Kirkup, […]

“The tragedy of music is that it begins with perfection.” – Morton Feldman, American composer. Cited in a May 1976 interview, Studio International, November 1976, pp. 244-248.