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The essential part of creativity
“The essential part of creativity is not being afraid to fail.” Edwin Land, American scientist and inventor.
Arthur Schopenhauer on music
Now the nature of man consists in this, that his will strives, is satisfied and strives anew, and so on for ever. Indeed, his happiness and well-being consist simply in the quick transition from wish to satisfaction, and from satisfaction to a new wish. For the absence of satisfaction is suffering, the empty longing for […]
A simple request
Humorists Ilf and Petrov described a concert by Rachmaninoff In New York (November 1935): The night we went to hear him he appeared tall, bent, and thin, with a long sad face, his hair closely clipped; he sat down at the piano, separated the folds of his old-fashioned back swallowtail, adjusted one of his cuffs […]
Busoni on invention
I came to think that every notation is already the transcription of an abstract invention. From the instant the pen takes hold of it, the idea loses its original feature. … The invention (Einfall) becomes a sonata, a concerto: it is already an arrangement of the original. From this first transcription to the second, the […]
Learn my name
Stokowski’s ability to inspire musicians was sometimes balanced by the ability to turn them off.  Saidenberg altered me to a remarkable violinist who quit the Philadelphia Orchestra and went on to become America’s greatest authority on constitutional law.  “Raoul Berger was a wonderful violinist in the Philadelphia Orchestra.  One day at rehearsal, Stoki stopped the […]
Paderewski, the dandy
Overheard in a New York street car:— Average Young Man (to neighbour): “Everything they say about Paderewski is true. He’s a perfect genius. Why, he played fourteen pieces and did not once look at the programme. Yet he played straight ahead and never once forgot what piece was to come next. I tell you the […]
Joyous art
Art that feels like a duty is probably bad art. But most of the art industry is geared towards foisting that kind of art on us. Bad art changes over the centuries far less than we think. Today’s theory-heavy video installations are often modern equivalents of pompous and moralising Victorian paintings. It’s the joyous, uninhibited […]
What about me?
Songwriter Johnny Green recalled Gershwin bragging about his achievements after a concert, eventually to stop and say: “That’s enough about me.  Now what did you think about how I played?” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.46.
The worker and his object
“In all types of creative work the worker and his object become one, man unites himself with the world in the process of creation.” — Erich Fromm
Recipe for success
“A man can succeed at almost anything for which he has unlimited enthusiasm.”— Charles M. Schwab, American businessman Peale, Norman (2003) Enthusiasm Makes the Difference. New York, Fireside, p.4