Ringo StarrIs Ringo Starr the best drummer in the world? He’s not even the best drummer in the Beatles. Reporter and John Lennon. Source: Jarski, Rosemarie (2005) Great British Witt. London: Ebury Press, p.257.
Glenn Gould on recordingPianist Glenn Gould discussed the recording process with Yehudi Menuhin completing the playback of a Bach gigue: Now, Yehudi, you’ve got to admit that you would not be likely to encounter a sound like that in the concert hall… The point is that, if I were to play that piece in a concert hall, as […]
Eugène Ysaÿe: Violin Sonata No. 4Eugène Ysaÿe (1858-1931) was a Belgian violinist, conductor and composer. Carl Flesch described him has “the most outstanding and individual violinist I have ever heard in my life.” Franck’s Violin Sonata, Chausson’s Poem and violin concerto, and Debussy’s string quartets were all dedicated to Ysaÿe. Ysaÿe wrote six sonatas for solo violin, each dedicated to […]
Rehearsal conditions must be suitableStrengthened by his initial triumph and by daily evidences of the ever-mounting appreciation and support of the Philadelphia’s new claim to artistic fame, Stokowski tried once again to convince the board that first-class musical results were impossible unless the orchestra rehearsed exactly where they performed. The men engrossed in the financial problems of balancing budgets […]
Richter on Bach“It does no harm to listen to Bach from time to time, even if only from a hygienic standpoint.” – Sviatoslav Richter, pianist Monsaingeon, Bruno (2001). Sviatoslav Richter: Notebooks and Conversations. Princeton University Press, p.196. Cited at: Wikipedia
Dee-da-dee-da-dee-da-splat“I also like to play the famous tunes because there’s nothing like inspiring a whole bunch of kids who are struggling to play these pieces on flute. And then they see me ripping through them. They all want to play Flight of the Bumblebee when they’re 11 years Old. And it goes something like “dee-da-dee-da-dee-da-splat!” […]
A good performanceA good performance is one that moves me. But it is not only the passion and emotion expressed in a performance that move me, it is also allowing the clarity of the structure, as well as the different characters, to shine through, a well-judged balance, a sense of architecture of the whole piece and, at […]
A duet under the bedIt was in the eventful year, then, of 1813—the year of “Il Figlio per Azzardo”, with its obbligato accompaniment for lamp-shades of “Tancredi” and of “L’Italiana in Algeri”—that Rossini was writing one morning in bed, when the duet on which he was engaged fell from his hands. “Nothing easier”, an ordinary composer would say, “than […]
The subject of artAbstract art is only painting. And what’s so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, […]
Comfort in the score of SaulIn 1862 Brahms left Hamburg for Vienna. Brahms was not at all sure that he would remain long in Vienna; but he must have had some premonition that his Hamburg life was nearly over. He found it hard to say goodbye to his old father and mother; though this time he could leave secure in […]