Smooth jazz finds new way to reach audiencesWith shifts in the commercial music industry away from smooth jazz, musicians are finding new niches for smooth jazz such as cruises. Twenty years ago, of course, smooth jazz wasn’t a code to be cracked so much as a wave to be caught. Like most species of pop, it felt ubiquitous and maybe a little […]
The development of concert life in LondonThe public concert, as an institution, dates from England from the Restoration period [from the 1660s]; previously music, unless ecclesiastical or dramatic in character, had been essentially the art of a small circle. The largess of aristocratic patronage and the profits of publication were the composers’ rewards. But with the middle of the seventeenth century […]
Mozart and Beethoven“Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each […]
I dream …“I dream, therefore I exist.” —August Stringberg, A Madman’s Defence (Le plaidoyer d’un fou)
Mozart on melody“Melody is the essence of music”, continued he; “I compare a good melodist to a fine racer, and counterpointists to hack post-horses; therefore be advised, let well alone, and remember the old Italian proverb – ‘Chi sa piu, meno sa – Who knows most, knows least’.” The Reminiscences of Michael Kelly, 1826. Cited in: Marshal, […]
Work so that you don’t have to workHerr Richter, the pianist, is going on a tour that will take him back to Holland, his native country – I have given him a letter introductionto the Countess Thun at Linz. – He also wishes to visit Salzbourg, so I gave him a 4-line note for you, my dearest father … He plays well […]
Britten on The Rake’s Progress“I liked everything about the opera but the music.” – Benjamin Britten on Stravinsky’s The Rake’s Progress Cited in: Jarski, Rosemarie (2005) Great British Wit. London: Ebury Press, p. 203.
We can’t all play first violin“If all would play first violin, we could not obtain an orchestra. Therefore esteem every musician in his place.” — Robert Schumann Robert Schumann (translated by Henry Hugo Pierson), Advice to Young Musicains [Musikalische Haus- und Lebens-Regeln]. New York: J. Schuberth & Co. https://www.gutenberg.org/files/28219/28219-h/28219-h.htm, accessed 29 August 2021.
A specialized skill set“You know I’m a useless kind of man apart from my music.” – Tchaikovsky Cited in: Hanson, Lawrence and Elisabeth (1965) Tchaikovsky: A New Study of the Man and His Music. London: Cassell & Company, p.179.
I’ll Softly SighTitle: I’ll Softly Sigh Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE: