Title: Mighty Like A Moose (silent film soundtrack) Composer Greg Smith Instrumentation: Piano Product medium: PDF score (34 pages) Background:     Written by: Charley Chase & H. M. Walker     Starring: Charley Chase, Vivien Oakland, Gale Henry, Charles Clary, Ann Howe, Malcolm Denny     Directed by: Leo McCarey     Film released: 1926 SAMPLE:

Title 1: My Shepherd is the Living Lord Text 1: Isaac Watt Title 2: I know That My Redeemer Lives Text 2: Samuel Medley Tune title: My Shepherd 88.88 Composer: Greg Smith Instrumentation: SATB Product medium: PDF score Sample:

“Music had stirred him like that.  Music had troubled him many times.  But music was not articulate.  It was not a new world, but rather another chaos, that it created in us.” – Oscar Wilde, The Picture of Dorian Grey.

“Good art is nothing more than infinite patience.” William Wallace Kimball, founder of Kimball Piano Company Cited in: Cited in: Kimball, K., Petersen, R., Johnson, K. (1990) The Music Lover’s Quotation Book. Toronto: Sound and Vision, p. 85.

“Tchaikovsky reminded me, in more ways than one, of his countryman Tourgéniew, whom I once met at Madame Viardot’s. He had none of the Northern roughness, was as polished as a Frenchman in his manner, and had something of the Italian in his temperament… For all the belief which he had in himself, he was […]

Title: A Child is Born in Bethlehem. Five Christmastide arrangements for piano by Greg Smith Arranger: Greg Smith Instrumentation: Piano Product medium: PDF score Contents: A child is born in Bethlehem (Danish melody) High from the tree's green top (E. Horneman) In a basement black as coal (C. M. Bellman) Lovely is the blue sky […]

This will be our response to violence To make music more intensely, more beautifully, more devotedly than ever before.  – Leonard Bernstein.

Title: Merlin the Wizard Composer: Greg Smith Instrumentation: Piano Duet Level: 2 Product medium: PDF score

Several years ago, Mr. Kalichstein hired a young music student who kept reaching across the score to turn pages from the bottom right corner, in the process obscuring several measures of the concerto. “Take it from the top!” the frustrated Mr. Kalichstein finally hissed; reflexively, the page turner flipped the score back to the beginning. […]

“Writing music is seventy-five per cent an intellectual activity.  This effort is often more pleasant for me than having a rest.” Conversation with Ravel, recalled by Robert de Fragny, Echo liberté, 7 November 1950. Cited in: Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber., p. 61.