Ravel’s fashion sense

Ravel was always particular about his sense of fashion. 

As Léon-Paul Fargue recalled:

Even when he was wasted by illness, Ravel never appeared unkept even among his closest friends.  All his life he kept the perfect, discriminating taste which led him to match his braces to his blue or pink silk shirts, much to the astonishment of performers whom he would rehearse in his shirtsleeves (for a long time he went on wearing a grey tie with his dinner jacket and a grey waistcoat with his evening dress).  In Chicago a major concert was delayed for nearly an hour because Ravel refused to appear on the podium without his evening shoes, which were still by mistake in the left-luggage office. (1)

On another occasion René Chalupt accounted:

Ravel was conducting in Biarritz when, just before going out on to the platform, he realized that he had lost or forgotten the handkerchief to go in his top pocket.  Robert Casadesus [a French pianist] offered to lend him his but Ravel, meticulous as ever, refused on the grounds that the pianist’s initials were not the same as his own. (2)

(1) Léon-Paul Fargue, Maurice Ravel (Paris, 1949), pp. 28-32.  Cited in: Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber., p. 28.
(2) René Chalupt, Ravel au miroir de ses lettres (Paris, 1956), p. 241.  Cited in ibid., p. 97.


Posted

in

by

Tags:


Featured Content

Liszt’s account of a performance by Chopin
Franz Liszt described one of Chopin’s concerts in the Gazette musicale, May 2 1841. Last Monday, at eight o’clock in the evening, M. Pleyel’s rooms were brilliantly lighted up; numerous carriages brought incessantly to the foot of a staircase covered with carpet and perfumed with flowers the most elegant women, the most fashionable young men, […]
Saint-Saëns defending virtuosity
It is virtuosity itself that I want to defend. It is the source of the picturesque in music, it gives the artist wings with whose help he escapes platitudes and the everyday. The conquered difficulty is in itself a beautiful thing. Theódphile Gautier, in Émaux et camées, considered this issue in immortal verses. . . […]
Waste not, want not
While attending school in Lüneberg, J. S. Bach used to travel to Hamburg (50km away) to hear the organist of the Catharinekirche: J. A. Reincken.  Marpurg describes how Bach, returning almost penniless to Lüneberg, once rested outside an inn; how someone threw two herring heads out on the rubbish heap; how Bach – a Thuringian, to […]
To burn with desire
“To burn with desire and keep quiet about it is the greatest punishment we can bring on ourselves.” — Federico García Lorca, Blood Wedding and Yerma A. Flores (ed.), Great Spanish Plays in English Translation, New York, Dover, 1991, p.441.
Rachmaninoff on interpretation
As the talented student grows older he must seek within himself his interpretation.  Does he wish to know how to play the cantilena of Beethoven or Chopin? He must feel it himself!  Talent is feeling, the feeling that every player experiences in his innermost consciousness… It takes years of work to understand and think out […]
Freedom for music
“In order for music to free itself, it will have to pass over to the other side – there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.” […]
Collaborative piano
PERFORMANCE BIOGRAPHY GREG SMITH Certifications and degrees: – 1996: Associate of Music, Australia (A. mus. A.) in piano performance – 1998: Licentiate of Music, Australia (L. mus. A.) in piano performance – 2001: Bachelor of Music, with honours, class I (University Medal).  University of Newcastle.  Double major in piano and composition. – 2003: Master of […]
Widmann on Brahms
Widmann, a Swiss poet, describes Brahms’ performing at the piano: The broad leonine chest, the Herculean shoulders, the mighty head which the player sometimes threw back with an energetic jerk, the pensive, handsome brow that seemed to radiate an inner illumination, and the Germanic eyes which scintillated with a wondrous fire between their fair lashes […]
Widerstehe doch der Sünde (J. S. Bach)
Title: Widerstehe doch der Sünde (from Cantata BWV 54)Composer: Johann Sebastian BachArranger: Greg SmithInstrumentation: PianoProduct medium: PDF score Sample:
Underrated and overrated composers
“Polls of various musical personalities (but not me) in the Times about who’s underrated and who’s overrated.  Naturally Vivaldi is deemed overrated in the light of Bach.  Since everyone knows he’s overrated.  I’d have said he’s the most underrated of overrated composers.” Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.82. […]