Now I am attracted only to music which I consider to be better than it can be performed. Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a neverending problem, it doesn’t interest me too much. For instance, Chopin’s studies are lovely pieces, perfect pieces, but I […]

People often begged him to play a little air on the violin, but he refused great lords and his fellow de-bauchers alike.  The only person who succeeded in making him play was the Marshal de Grammont.  He had a footman called La Lande who later became one of the best violinists in Europe.  After a […]

Conductor James Levine on Tchaikovsky’s opera Eugene Onegin: Eugene Onegin is very special, an incredibly successful piece; there is nothing quite like it. The character of Tatyana is so extraordinary. Tchaikovsky absorbed certain things from Pushkin’s original poem, and then composed his own opera, which of course angered some other great Russian artists, like Stanislavsky […]

Title: Wexford Carol Text: 12th century Irish Composer: 12th century Irish, arr. Greg Smith Instrumentation: SATB and piano     Related products:     – Wexford Carol – SATB and piano (PDF score) Product medium: PDF score and parts Sample:

In attempting to capture something of the experience of being alive, the words themselves must be alive. Words, when living and breathing are like musical chords. The full resonance of the chord or phrase must be allowed to be heard in all of its suggestive imprecision. We must attempt in our use of language in…our […]

“Art — reaches out to one specific person (even and especially if that person is imaginary.” Todd Brison, “A Warning Letter to All Writers”, Medium, 25 August 2020, https://medium.com/better-marketing/a-warning-letter-to-all-writers-df00d53f8795, accessed 4 September 2020.

Title: Lord, send out your spirit Text: Psalm 103 (104):1. 24. 29-31. 34. R.v.30 Composer: Greg Smith Instrumentation: SA and piano Product medium: PDF score and part Sample:

Schumann studied with Dorn, the conductor at the civic theatre. Dorn recalled: Having completed exercises in figured-bass realization, chorale harmonization, and canon, teacher and student moved on to double counterpoint. Intrigued by the mysteries of this discipline, and reluctant to tear himself away from his desk, Schumann once requested that his lesson take place in […]

Any artist knows that the space between the stage where the work is too unformed to have committed itself and the stage where it is too late to improve it can be as thin as a needle.  Genius perhaps consists in opening out this needle-like area until it covers almost the whole of the working […]

Music sets up a certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized. I like to think of music as an emotional science. — George Gershwin Daniel Albright. Modern and Music: An Anthology of Sources. Chicago, The University of Chicago Press, p. 388.