October from The Seasons (Tchaikovsky)


Title:
“October” from The Seasons, op. 37 bis
Composer: Pytor Illich Tchaikovsky
Arranger: Greg Smith
Instrumentation: Cello quartet
Product medium: PDF score and parts



Sample:

October from The Seasons (Tchaikovsky) - Sample


Posted

in

by


Featured Content

From the heart
“What comes from the heart, goes to the heart.” — Samuel Coleridge Taylor, English poet, critic and philosopher. Coleridge, Samuel (1856) Seven Lectures on Shakespeare and Milton. London: Chapman and Hall, page xlv
Dostoyevsky on beauty
“Beauty will save the world.” – The Idiot, Fyodor Dostoyevsky
Reactions to classical music
The only way to take classical music out of the museum is to stop playing it in a museum.  The adventurous cellist Matt Haimovitz said as much recently, when he toured dive bars, pizza parlours, and roadhouse juke joints with the [Bach] Cello Suites.  “People were reaction to the music as it was going by,” […]
Simon on improvisation
“Improvisation is too good to leave to chance.” -Paul Simon, singer & composer Cited at Aphorism.ru. Accessed 31 March 2013. 
Many an Orpheus and Arions make up a Bach
Johann Matthias Gesner was a colleague of Johann Sebastian Bach at St. Thomas’ School, Leipzig. He later worked on a commentary of the Roman author Quintilian (c. 35-100 A. D.). He included a comparison of Bach with the Classical lyre player: All these (outstanding achievements) … you would reckon trivial could you rise from the dead and […]
Evolving recordings
Gwilym Gold has released an album that never plays the same way twice. Developed in collaboration with Lexxx and scientists from Goldsmiths University in London, Gold says the system, called Bronze, “makes the music more engaging, similar to a live performance. Every time it’s played, it’s renewing itself.” Mark Savage, “Gwilym Gold releases ‘constantly evolving […]
Bassoon and piano
A very specific error indeed
The following is an account of the conductor Hans von Bülow: The newspaper critics Bülow continued to despise because of their self-importance, and he lost no opportunity to expose their musical ignorance.  On one occasion, Bülow, at a public rehearsal in the Philharmonie, remarked upon a printing error in the second horn part of the […]
Arthur Schopenhauer on music
Now the nature of man consists in this, that his will strives, is satisfied and strives anew, and so on for ever. Indeed, his happiness and well-being consist simply in the quick transition from wish to satisfaction, and from satisfaction to a new wish. For the absence of satisfaction is suffering, the empty longing for […]
Stokowski and singers
Leopold Stokowski was staging a concert version of Mussorgsky’s Boris Godunov. Natalie Bodanya, one of the finest singers at Curtis at the time, refused to audition, noting how “impersonal and impossible Stokowski was. Stokowski had filled all the roles, with the exception of that the Princess. “Is it possible” Stokowski asked Sylvan [Sylvan Lenin, a […]