At the core of Beethoven’s “Diabelli” Variations, an esoteric and astonishing piano piece lasting some 50 minutes, is one of the intriguing mysteries of music history. Why did Beethoven, during the difficult last decade of his life, when he was deaf, chronically ill and often in financial straits, become nearly obsessed with writing an extensive […]

I. Andante-Moderato II. Allegro non troppo III. Largo IV. Allegretto Having recently finished his Eighth Symphony, Shostakovich stated work on his second Piano Trio in late 1943: Chamber music demands of a composer the most impeccable technique and depth of thought. I don’t think I will be wrong if I say that composers sometimes hide […]

A performance of Schönberg’s Pierrot Lunaire was given by Artur Schnabel (piano), Boris Kroyt (violin), Gregor Piatigorsky (cello), Paul Bose (flute), Marie Gutheil-Schoder (speaker), conducted by Fritz Stiedry. Gregor Piatigorsky was amused at the need for a conductor, given the size of the ensemble: The half-spoken, half-sung voice indicated in the score was partly filled […]

Before the time of Bach, keyboardists would often only use the middle three fingers of each hand and tended to keep their hands flat. Bach taught his students under the new principle of using all the fingers. Beethoven asked his pupils to curve the hand. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William […]

“It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well.” —Henri Frederic Amiel.  Swiss philosopher, poet & critic. H. F. Amiel, Amiel’s Journal, trans. H. Ward, London, Macmillan […]

Hoyt Curtin (1922-2000) was the primary composer for the Hanna Barbara studios. Popular theme songs he composed include The Flintstones, Top Cat, The Jetsons, Johnny Quest, Superfriends, Josie and the Pussycats, The New Scooby-Doo Movies, and The Smurfs.  Of these, his favourite was The Flintsones, “I guess because it is a kick to hear musicians […]

Rachmaninoff had a little help with a fugue exam at the Moscow Conservatory in 1891: By mistake the examinations of Rachmaninoff in both piano and fugue were scheduled for the same day and hour, so his fugue examination was transferred to the following day, when he was to be examined alone, the rest of the […]

“The person born with a talent they are meant to use will find their greatest happiness in using it. – Johann Wolfgang von Goethe, poet

The violinist Ivan Galamian describes the musician’s quest for a goal greater than mere technical accomplishment: A complete technique .. implies the ability to do justice, with unfailing reliability and control, to each and every demand of the most refined musical imagination.  It enables the performer, when he has formed an ideal concept of how […]

“Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.” – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 11 May 2013.