In 1777, Mozart visited Heir Stein in Ausburg (1). According to Mozart, Stein had stated that no-one has ever played his Piano Forte as well as I have, and, besides, I always keep correct time. They are all wondering about that. They simply can’t believe that you can play a Tempo rubato in an Adagio, […]

Alexander Gow, musician in the band Oh Mercy on spontaneity of artistic creation: [Spontaneity is] when art is expression, and that’s what I’m interested in. If, like you said, there’s a spontaneity to it and it’s an extension of a certain kind of moment or feeling, and if you’re clever enough to express that through […]

Leopold Stokowski was staging a concert version of Mussorgsky’s Boris Godunov. Natalie Bodanya, one of the finest singers at Curtis at the time, refused to audition, noting how “impersonal and impossible Stokowski was. Stokowski had filled all the roles, with the exception of that the Princess. “Is it possible” Stokowski asked Sylvan [Sylvan Lenin, a […]

“Working to timings and synchronising your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was ‘turned on’ by a libretto. The most difficult problem in […]

Tchaikovsky disliked teaching at the best of times, but he particularly didn’t enjoy teaching female students, most of whom, in this period of history, were of an amateur status: Although it is a dreary business to have been forced to explain to my young men’s classes for eleven consecutive years what a triad consists of, […]

Morrell gave Handel the words of Cleopatra’s air “Convey me to some peaceful shore” in Alexander Balus, he cried out “Damn your Iambics!”. Morell offered to change them to trochees and went into the next room to do so, only to find about three minutes later that Handel had set them as they stood.” Dean, […]

“Put a small piano in a truck and drive out on country roads; take time to discover new scenery; stop in a pretty place where there is a good church; unload the piano and tell the residents; give a concert; offer flowers to the people who have been so kind as to attend; leave again.” […]

One of Tchaikovsky’s favorite anecdotes resulted from his nearly losing the sketches for the Little Russian on the way back to Moscow. To persuade a recalcitrant postmaster to hitch the horses to the coach in which he and his brother Modest had been travelling, Tchaikovsky presented himself as “Prince Volkonsky, gentleman of the Emperor’s bedchamber.” […]

The following appeared in the Musical Times in 1913: An amusing story, for the truth of which we can vouch, comes to us from Toronto. An organist had drawn up the order of a Sunday service, and it was in type ready for printing, when the death of an important personage made a change necessary. […]

“How important is it to catch up with yourself? There are enormous forces lurking in each person, but many people die without having discovered this. Of course it was clear at first glance that Mozart was a genius. But we don’t know whether anybody suspected the great gifts of the young Wagner. Nobody could guarantee […]